En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Gibbons

Dans le cadre imprévu du Palais des Congrès de Souillac, Félicien Brut, Lucienne Renaudin Vary et Thibaut Garcia ont enchanté le public, avant le concert plein de recueillement de Tenebrae avec La Sportelle.

Pour leur passage annuel à la Salle Gaveau, les King's Singers ont proposé un panorama de la musique anglaise de Byrd aux Beatles (en passant par Britten) : ils ont été royaux !

Tenebrae transforms the Elbphilharmonie into a living instrument, exploring centuries of choral music through spatialised sound, Pärt’s tintinnabuli, Renaissance masterpieces and contemporary innovations in a vivid acoustic experiment.

Rich sounding viols, lively percussion and spicy theorbo and guitar in eclectic consort music from Jordi Savall and Hesperian XXI in their 50th year. 

The Tallis Scholars begeistern einmal mehr mit einem abwechslungsreichen und doch stimmigen Programm von Josquin des Prezs bis Nico Muhly.

From the oppressed Catholic minority of 16th-century England to contemporary settings, The Gesualdo Six bring their Wishing Tree programme to Auckland. 

VOCES8 perform choral music spanning 800 years, including a BBC commission from Alexia Sloane, with great energy, articulation and virtuosity in an impressive Proms debut at Cadogan Hall.

The Sixteen enchant the audience in Sydney with an intelligently-created programme of British composers.

Angels abound as Rachel Podger joins with VOCES8 for a collaborative exploration built around music from her Guardian Angel album.

The violinist Patricia Kopatchinskaja's endless curiosity was on display at a recital of duos with cellist Jay Campbell at the Park Avenue Armory. 

Ancient and modern Shakespeare settings, and music from Shakespeare's contemporaries given tender and passionate readings in a varied programme from Fretwork and Stile Antico.

Madrigals and Folksongs: the King's Singers entertain and delight in a progromme spanning 400 years with glorious singing. 

The choir tackle an ambitious, if overly long programme of Advent-themed works with mixed results.

Fantasias for viol trio performed by members of Phantasm illustrate the inventiveness of England's best composers from the sixteenth and seventeenth centuries.

The British vocal ensemble Stile Antico made an appearance in Cleveland on Friday evening, 11 October, at the Cathedral of St John the Evangelist, as part of their current American tour to perform a brilliant live rendition of their most recent album The Phoenix Rising.

Entitled “Passion and Resurrection”, this exquisite concert from Stile Antico unfolded as an exploration of music written in response to Holy Week.One of the group’s most striking characteristics is their decision to work without a conductor, a move which can at times produce chamber music of the highest quality.

Seeing both these ensembles live has been a dream of mine for a few years now, having been brought up with my father’s love of the Hilliard Ensemble’s collaborative recordings with jazz saxophonist Jan Gabarek. And what better place to be transported back in time with these early music experts than the Wigmore Hall.

Frequent concertgoers in our modern age will be all too aware of the irritation factor of mobile phones going off during performance. The King’s Singers, however, make a feature of the phenomenon and take it to another level. This world-class ensemble delighted a packed Hereford Cathedral, the closing concert of their 2011/12 season coinciding with the Three Choirs Festival.

The Sixteen’s three appearances in the line-up for this year’s Spitalfields Music Festival showcase the breadth of their repertoire. On June 15 and 16, they will premiere Alan Roth’s new musical setting of Beckett monologues, Old Earth. First, on June 9, was something altogether more familiar.