En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Italie

Julie Fuchs and Juan Diego Flórez give life to the refreshing and funny take of Laurent Pelly’s classic production, under the baton of Evelino Pidò. 

A Rigoletto revival in Milan is elevated by a stellar vocal performance from Amartuvshin Enkhbat, despite a finale that divides opinion and some uneven orchestral pacing. 

Rosetta Cucchi jumps on the bandwagon with a shallow production of L’italiana in Algeri, although Daniela Barcellona’s charisma and vocal prowess dominates the scene.

Rossini’s first staged opera, La cambiale di matrimonio, in a spirited production by Laurence Dale, paired with his late work Les soirées musicales in a successful performance.

A production where vocal brilliance battles directorial gimmicks in Pesaro, with a superb cast led by Anastasia Bartoli and Lawrence Brownlee.

After almost 50 years, the Teatro alla Scala presents a new production of Norma, with a great cast, some shadows in the orchestra direction and several failures in the production. 

McVicar’s most successful Ring chapter yet: Siegfried convinces with beautiful imagery and a stellar cast, with Alexander Soddy at the baton.

Davide Livermore creates a successful production of Il ritorno d’Ulisse in patria at the Monteverdi Festival in Cremona, with a great cast led by Mauro Borgioni. 

Cecilia Bartoli and Gianluca Capuano lead a superb performance of Orfeo ed Euridice, in semi-staged form, as a prologue to the Monteverdi Festival in Cremona. 

Christophe Rousset leads Les Talens Lyriques and a stellar cast in a superb rendition of Mozart’s first opera seria.

A great cast and an enjoyable score seal the success of a new opera based on Umberto Eco's classic historical murder mystery, The Name of the Rose. 

Christophe Rousset leads a great cast and an even greater orchestra in Gassmann’s 1769 rarity in Laurent Pelly’s visually striking, but oddly subdued, take on a comedy that thrives on chaos. 

Mario Martone’s new production is inconsistent, while the musical performance is hindered by lacklustre conducting and a miscast prima donna. 

With bad-ass punk valkyries and rich in fantasy overtones, Sir David McVicar's La Scala Ring cycle continues.