En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Andrew Griffiths

A mixed bill of modern work showcases the diverse talents of The Royal Ballet.

A double bill from Sir Peter Maxwell Davies and Tarik O'Regan gives us two unsettling portraits of women whose lives have been indelibly touched by the eternal: an unamed Victorian medium, and the Virgin Mary. 

Bampton Classical Opera is a company dedicated to performing rarely-performed 18th-century operas, and every summer they stage a new production with a cast of young and upcoming singers at their base in Bampton in Oxfordshire. This year’s production was a double-bill of French opéras comiques by Philidor and Grétry, which they brought to London’s St John’s Smith Square last week.

Walking down the steps to the Old Vic Tunnels, which were covered in graffiti and grime, it felt like a grungy, punk rock club lay at the end of this lackluster pathway. But once inside the Tunnels, it was clear that these dark, stone caves were the perfect space for a performance of Jessica Curry’s new choral work, Perpetual Light: Requiem for an Unscorched Earth.