A bad hair day for Sidi Larbi Cherkaoui's Medusa

Par Graham Watts, 09 mai 2019

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“overcoming the recalcitrant hairdo with her piercing stare and deadly kicks”

Critique faite à Royal Opera House, Covent Garden, Londres, le 8 mai 2019

Within the Golden Hour (Christopher Wheeldon)

Medusa (Sidi Larbi Cherkaoui)

Flight Pattern (Crystal Pite)

The Royal Ballet

Jonathan Lo, Direction

Andrew Griffiths, Direction

Jasper Conran, Costumes

Natalia Osipova, Danse

Matthew Ball, Danse

Olivia Cowley, Danse

Ryoichi Hirano, Danse

Kristen McNally, Danse

Marcelino Sambé, Danse

Ailish Tynan, Soprano

Tim Mead, Contre-ténor

Francesca Chiejina, Soprano

Orchestra of the Royal Opera House Covent Garden

Peter Mumford, Lumières

Jay Gower Taylor, Décors

Nancy Bryant, Costumes

Tom Visser, Lumières

Olivia Pomp, Costumes

Adam Silverman, Lumières

Les « Racines » inégales du Ballet de l’Opéra de Paris à Bastille

Laurine Mortha, 6th October

Entre une pièce des années 1950 de Balanchine et les deux créations récentes des chorégraphes Mthuthuzeli November et Christopher Wheeldon, le programme mixte néo-classique produit un effet mitigé.

***11

Alvin Ailey American Dance Theater: Programme Y

Anne-Laure Faubert, 8th July

A l’occasion de la 13° édition des Etés de la Danse, l'Alvin Ailey American Dance Theater prend ses quartiers à la Seine Musicale.

Un hommage à Pierre Boulez hétéroclite

Laurine Mortha, 5th December

Avec une soirée mixte réunissant les chorégraphies de Christopher Wheeldon, Wayne McGregor et Pina Bausch, l’Opéra de Paris rend hommage au compositeur et chef d’orchestre contemporain Pierre Boulez.

****1

Atlanta Ballet shines in a mixed contemporary program

Rebecca Ehrhardt, 3rd April

Atlanta Ballet's Golden Hour program featured two world premieres and the Atlanta premiere of Christopher Wheeldon's Within the Golden Hour.

*****

NYCB: Ratmansky’s The Naked King is not satire, but good fun

Ivy Lin, 7th February

New York City Ballet presents a very entertaining quadruple bill which includes Alexei Ratmansky’s latest work, The Naked King, showing off the company’s comic talents.

****1

The Royal Ballet’s Like Water for Chocolate is sumptuous but complex

Amanda Jennings, 1st October

The Royal Ballet’s season opener, Christopher Wheeldon’s Like Water for Chocolate, is visually tremendous, very well danced but the many principal and soloist characters are difficult to keep up with.

****1

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Graham Watts

Graham Watts is a freelance dance writer and critic writing regularly for Dancing Times, Dance Europe, Danza Europa, and many more publications. He regularly writes features for Sadler’s Wells, London Coliseum and La Scala. Chairman of the Dance Section of the Critics’ Circle in the United Kingdom and of the UK National Dance Awards he has interviewed many of the greatest names in dance including Maya Plisetskaya, Vladimir Vasiliev, Boris Eifman, Alexei Ratmansky, Andris Liepa, Sir Peter Wright, David Bintley and Dame Gillian Lynne. When not involved in dance Graham is a keen fencer, and has captained the British Sabre team.

A bad hair day for Sidi Larbi Cherkaoui's Medusa at The Royal Ballet