En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Natalya Romaniw

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Rome

30 oct. 2025

Sir Antonio Pappano returns to Santa Cecilia for Mozart and Bruckner

Par Pia Maltri

Andrés Presno (Cavaradossi) and Natalya Romaniw (Tosca) © Dafydd Owen

Southampton

A magnificent Tosca from Welsh National Opera at the Mayflower

Par David Truslove, 03 octobre 2025

WNO imports Edward Dick’s exceptionally fine production, which benefits from from superb casting and outstanding performances led by Natalya Romaniw.

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Southampton

03 oct. 2025

A magnificent Tosca from Welsh National Opera at the Mayflower

Par David Truslove

Vilde Frang and the London Symphony Orchestra © Andrew Perry

Edimbourg

Pappano crests the waves at the Edinburgh International Festival

Par David Smythe, 14 août 2025

Vaughan Williams’ Sea Symphony is a highlight of the London Symphony Orchestra’ s programme which also includes Vilde Frang excelling in Korngold.

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Edimbourg

14 août 2025

Pappano crests the waves at the Edinburgh International Festival

Par David Smythe

Christopher Maltman (Wotan) and Elisabet Strid (Brünnhilde) © RBO | Monika Rittershaus

The little man has his day: a nasty and brutish Die Walküre opens at The Royal Opera

Par Peter Quantrill, 01 mai 2025

The latest, thrilling instalment of Barrie Kosky's Ring cycle at Covent Garden does not have to strain for contemporary relevance.

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Londres

01 mai 2025

The little man has his day: a nasty and brutish Die Walküre

Par Peter Quantrill

Allan Clayton (Christian) © RBO | Marc Brenner

Black comedy of the highest order: the world premiere of Festen at The Royal Opera

Par David Karlin, 11 février 2025

Mark-Anthony Turnage's operatic adaptation of Thomas Vinterberg's tale of abuse provides rich entertainment even as it shocks.

*****

*****

Londres

11 févr. 2025

Black comedy of the highest order: Festen at The Royal Opera

Par David Karlin

Sir Bryn Terfel (Scarpia) and Natalya Romaniw (Tosca) © RBO | Clive Barda

The Royal Opera's “Taffia Tosca” burns with Welsh fire in excellent revival

Par Mark Pullinger, 26 novembre 2024

Led by Bryn Terfel's Scarpia and Natalya Romaniw's Tosca – not forgetting Aled Hall's scene-stealing Spoletta – this revival of Jonathan Kent's 2006 staging is urgently paced.

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Londres

26 nov. 2024

“Taffia Tosca” burns with Welsh fire

Par Mark Pullinger

Natalya Romaniw © BBC | Chris Christodoulou

Searing War Requiem from Pappano and the LSO at the BBC Proms

Par Mark Valencia, 17 août 2024

The London Symphony Orchestra has a mighty history with Britten’s magnum opus and has this score in their collective DNA.

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Londres

17 août 2024

Searing War Requiem from Pappano and the LSO at the BBC Proms

Par Mark Valencia

Thomas Atkins (Boris) and Natalya Romaniw (Kátya) © Marc Brenner

West Horsley

Alden and Barlow impress in a minimalist Kátya Kabanová at Grange Park Opera

Par David Karlin, 27 juin 2024

A memorable performance, with Stephen Barlow conducting Janáček’s remarkable score with vividness and clarity, while David Alden's staging is a masterpiece of "less is more".

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West Horsley

27 juin 2024

An impressive, minimalist Kátya Kabanová at Grange Park Opera

Par David Karlin

Birmingham

A vulgar Valentine’s Day offering from Sinaisky and the CBSO

Par Simon Cummings, 14 février 2024

Vassily Sinaisky, Natalya Romaniw and the City of Birmingham Symphony Orchestra take a crude, casual approach to music by Tchaikovsky and Beethoven.

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Birmingham

14 févr. 2024

A vulgar Valentine’s Day offering from the CBSO

Par Simon Cummings

Richard Pinkstone, Marcus Farnsworth, Innocent Masuku and Ossian Huskinson (Zerbinetta's troupe) © Craig Fuller

Radiant romanticism with delicious comic relief: a magical Ariadne auf Naxos at Garsington Opera

Par David Karlin, 18 juin 2023

An excellent singing cast combine with Bruno Ravella's sensitive direction and brilliant orchestral playing to bring to life Strauss' heady mix of farce and high art.

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High Wycombe

18 juin 2023

Radiant, comic, magical: Ariadne auf Naxos at Garsington Opera

Par David Karlin

Natalya Romaniw and Alice Coote © Bill Lam | The Hallé

Manchester

An unapologetically operatic Verdi Requiem from Sir Mark Elder and The Hallé

Par Rohan Shotton, 27 octobre 2022

Soprano and mezzo Natalya Romaniw and Alice Coote top a strong line-up in Verdi's Requiem in Manchester's Bridgewater Hall.

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Manchester

27 oct. 2022

An unapologetically operatic Verdi Requiem from Elder and The Hallé

Par Rohan Shotton

Sir Mark Elder © BBC | Chris Christodoulou

Troubled Waters: glimmering Respighi and sparkling Dukas precede a murky Il tabarro

Par Dominic Lowe, 30 juillet 2022

Mark Elder brought the Hallé down to the Royal Albert Hall for an interesting programme of Dukas, Respighi and Puccini.

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Londres

30 juil. 2022

Glimmering Respighi, sparkling Dukas, a murky Il tabarro

Par Dominic Lowe

Utterly bewitching Rusalka at Garsington Opera

Par Dominic Lowe, 18 juin 2022

It's taken two years for Jack Furness' new production of Dvořák's greatest opera to reach the Garsington stage, but it is entirely worth the wait, with a breathtaking performance from Natalya Romaniw in the title role.

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High Wycombe

18 juin 2022

Utterly bewitching Rusalka at Garsington Opera

Par Dominic Lowe

A walk in the park with Tosca: English National Opera at Crystal Palace

Par Roy Westbrook, 27 août 2021

Natalya Romaniw, a diva to her fingertips, proves an ideal Floria Tosca in ENO's open-air performance at the South Facing Festival in Crystal Palace Bowl.

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Londres

27 août 2021

A walk in the park with Tosca: ENO at Crystal Palace

Par Roy Westbrook

Pulling the heart strings: Madam Butterfly returns to ENO

Par Dominic Lowe, 26 février 2020

Anthony Minghella's classic production of Madam Butterfly makes a welcome return with a sensational role debut by Natalya Romaniw as Cio-Cio-San.

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Londres

26 févr. 2020

Pulling the heart strings: Madam Butterfly returns to ENO

Par Dominic Lowe

Birmingham

Mirga's Mahler: the Symphony of a Thousand in Birmingham

Par Mark Valencia, 19 janvier 2020

Mirga Gražinytė-Tyla approached the Eighth with a clear vision of the music’s structure and a plan to free the life that teems beneath its mighty vaults.

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Birmingham

19 janv. 2020

Mirga's Mahler: the Symphony of a Thousand in Birmingham

Par Mark Valencia

Natalya Romaniw an exciting Tosca in Scottish Opera’s powerful revival

Par David Smythe, 26 octobre 2019

Anthony Besch’s trusty Tosca returns to Scottish Opera with Natalya Romaniw packing a punch in the title role.

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Glasgow

26 oct. 2019

Natalya Romaniw an exciting Tosca in Scottish Opera’s powerful revival

Par David Smythe

Prom 28: to the Moon via Russia

Par Dominic Lowe, 08 août 2019

The BBC NOW gave us two hearty Russian works and celebrated the lunar landing with a world premiere of Huw Watkins' The Moon.

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Londres

08 août 2019

Prom 28: to the Moon via Russia

Par Dominic Lowe

Guilty secrets: Wolf-Ferrari entertains, Tchaikovsky bewitches at Opera Holland Park

Par David Karlin, 22 juillet 2019

Wolf-Ferrari's Il segreto di Susanna provides an airy bon-bouche to Tchaikovsky's Iolanta, brilliantly sung by Natalya Romaniw and David Butt Philip and conducted to fairy-tale perfection by Sian Edwards

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Londres

22 juil. 2019

Wolf-Ferrari entertains, Tchaikovsky bewitches at Holland Park

Par David Karlin

Czech mate: a hilarious and immaculately executed Bartered Bride at Garsington

Par David Karlin, 29 mai 2019

Natalya Romaniw is a natural as our maligned heroine: Paul Curran creates staging of bewildering comic complexity and pulls it off with panache.

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High Wycombe

29 mai 2019

An immaculately executed Bartered Bride at Garsington

Par David Karlin

Iain Bell's new opera for ENO, Jack the Ripper: The Women of Whitechapel

Par Mark Valencia, 30 mars 2019

Daniel Kramer’s direction is a model of restraint compared to some of his earlier work for the company.

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Londres

30 mars 2019

Jack the Ripper: The Women of Whitechapel

Par Mark Valencia

A house debut to savour: Natalya Romaniw soars in revival of ENO's Bohème

Par Mark Valencia, 26 novembre 2018

Jonathan Miller's production of La bohème is revived by ENO and features an important house debut.

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Londres

26 nov. 2018

A house debut to savour: Natalya Romaniw in ENO's Bohème

Par Mark Valencia

Gateshead

A self-confident Beethoven 9 from Lars Vogt and Royal Northern Sinfonia

Par Jane Shuttleworth, 09 juin 2018

Lars Vogt and Royal Northern Sinfonia deliver Beethoven's Symphony no. 9 with swaggering self-confidence, and heroic chorus singing.

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Gateshead

09 juin 2018

A self-confident Beethoven 9 from Vogt and the RNS

Par Jane Shuttleworth

Natalya Romaniw thrills in Scottish Opera’s epic Eugene Onegin

Par David Smythe, 03 mai 2018

Director Oliver Mears turns Scottish Opera’s Eugene Onegin into a memory play, with fine singing from a strong cast starring Natalya Romaniw as a thrilling Tatyana.

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Glasgow

03 mai 2018

Romaniw thrills in Scottish Opera’s epic Eugene Onegin

Par David Smythe

Southampton

Natalya Romaniw an imperious Tatyana as Tchaikovsky is unleashed from the Mayflower pit

Par Mark Pullinger, 18 octobre 2017

The cavernous Mayflower pit eats singers for breakfast and only Natalya Romaniw’s full-blooded Tatyana escaped its jaws unmarked

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Southampton

18 oct. 2017

Natalya Romaniw an imperious Tatyana

Par Mark Pullinger

Worcester

Frank Beermann and the Philharmonia bring mischief and melancholia to the Three Choirs Festival

Par Simon Cummings, 26 juillet 2017

In a concert of two halves, Worcester Cathedral experiences unforgettable pain and pleasure in works by Strauss, Rasch and Janáček.

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Worcester

26 juil. 2017

Mischief and melancholia at the Three Choirs

Par Simon Cummings

West Horsley

Natalya Romaniw leads an emotionally gripping Jenůfa for Grange Park Opera

Par Dominic Lowe, 11 juin 2017

Grange Park Opera scored a direct hit with a fine production of Janáček's masterpiece, led by a superb performances from Natalya Romaniw and Susan Bullock as Jenůfa and the Kostelnička.

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West Horsley

11 juin 2017

An emotionally gripping Jenůfa for Grange Park Opera

Par Dominic Lowe

Winchester

Royal Choral Society impresses with Russian music at Winchester Cathedral

Par David Truslove, 20 mai 2017

Intended to signify the contribution of Russian music to the Western canon, the Royal Choral Society gave admirable performances of two major choral works, rarely heard in Winchester Cathedral.

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Winchester

20 mai 2017

Royal Choral Society impresses with Russian music

Par David Truslove

Curiosity and ambivalence in Scottish Opera's L'amico Fritz

Par Gregor Forbes, 23 octobre 2016

Scottish Opera may be admirably committed to Mascagni's under-appreciated opera, but the musical quality and vision are lacking.

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Glasgow

23 oct. 2016

Scottish Opera's L'amico Fritz

Par Gregor Forbes

Gambling and Gothic: The Queen of Spades at Opera Holland Park

Par David Karlin, 02 août 2016

Tchaikovsky's High Gothic opera about gambling obsessions is worth seeing for a first class staging, albeit with a mixed musical performance.

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Londres

02 août 2016

Gambling and Gothic: The Queen of Spades

Par David Karlin

Natalya Romaniw's Tatyana the star of a stylish Eugene Onegin at Garsington

Par Mark Pullinger, 03 juin 2016

Michael Boyd's stylish new production is broadly traditional, apart from beyond-the-grave appearances by Lensky.

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High Wycombe

03 juin 2016

A stylish Eugene Onegin at Garsington

Par Mark Pullinger

Traditional Rusalka a visual feast for Scottish Opera

Par David Smythe, 09 avril 2016

Anthony McDonald’s Rusalka looks and sounds wonderful in a traditionally told production, with Anne Sophie Duprels returning to the role.

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Glasgow

09 avril 2016

Traditional Rusalka a visual feast for Scottish Opera

Par David Smythe

High octane verismo: L'amore dei tre re at Opera Holland Park

Par David Karlin, 25 juillet 2015

In Opera Holland Park's latest foray into obscure verismo, an excellent orchestral performance and high quality singing fails to translate into a compelling drama.

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Londres

25 juil. 2015

High octane verismo: L'amore dei tre re

Par David Karlin

The root of all evil: Jurowski and the LPO pair Rachmaninov’s Miserly Knight with Wagner’s greedy dwarf

Par Mark Pullinger, 21 janvier 2015

Vladimir Jurowski is a wily programmer. Pairing a concert performance of Rachmaninov's The Miserly Knight with extracts from Das Rheingold seemed a shrewd move.

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Londres

21 janv. 2015

The root of all evil: The Miserly Knight

Par Mark Pullinger

Glyndebourne

The darkness drops again: a tense, eerie Turn of the Screw for the Glyndebourne Tour

Par Charlotte Valori, 21 octobre 2014

Enjôleur, irréel et effrayant, doté d'une solide distribution de jeunes chanteurs : difficile d'imaginer un meilleur Tour d'écrou que celui de la version de Jonathan Kent à Glyndebourne, redonnée par Francesca Gilpin à l'occasion de leur tournée 2014.

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Glyndebourne

21 oct. 2014

Un Tour d'écrou étrange et inquiétant

Par Charlotte Valori

Opera Holland Park unearths a rare gem with I gioielli della Madonna

Par Kate Mason, 23 juillet 2013

Ermanno Wolf-Ferrari is a bit of a strange fish: a recluse, a self-described mystic, and proud enough of his hybrid German-Italian identity that he appended his mother’s maiden name to his own at the age of nineteen.

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Londres

23 juil. 2013

Opera Holland Park unearths a rare gem with I gioielli della Madonna

Par Kate Mason

Double Bill to delight.

Par Hilary Fisher, 09 juin 2011

Donizetti’s one act opera, Rita, composed in 1841 formed the first half of last night’s double bill at the Guildhall School of Music and Drama. The second half comprised another late work, Tchaikovsky’s Iolanta, composed in 1891 to a libretto by Tchaikovsky’s brother, Modest. Rita turns out to be far more entertaining than the plot outline promises and deserves to be more widely seen.

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