En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Antonino Fogliani

Le Grand Théâtre de Genève ouvre sa saison avec La Cenerentola vue par Laurent Pelly : une Cendrillon farfelue, décoiffante mais aussi très émouvante.

L’œuvre de Rossini donnait l’occasion à la mise en scène (Laura Scozzi) d’explorer les réminiscences contemporaines offertes par le livret d’Angelo Anelli. L’angle choisi est celui des relations, plutôt conflictuelles et violentes entre hommes et femmes.

Antonino Fogliani conducts a concert performance of Bellini's rare bel canto opera. 

The renowned IOS is geared to young singers of fine merit and talent. It recently premiered a new production of Rossini’s Il barbiere di Siviglia near Zurich.

An der Bayerischen Staatsoper bleibt bei Giacomo Puccinis Oper kein Auge trocken.

Peter Konwitschny's production strips away much of the religious symbolism, presenting the difference between Jews and Christians as little more than the dyed colour of their hands. 

Juan Diego Flórez and Venera Gimadieva charm as the young unlucky couple, and convince with their vocal performances in Wysocka’s production at the Bayerische Staatsoper.

The first staging of Bellini's Norma in Oslo in over a century is unfortunately hampered by an irritating production, yet some glorious singing does much to rescue the show.

Ein triumphales Hausdebüt von Adela Zaharia und eine hochklassige musikalische Gesamtleistung bescherten der Bayerischen Staatsoper einen "Wahnsinns-Abend". 

With his first foray into Rossini, Norwegian director Stefan Herheim turns La Cenerentola into a brilliantly funny spectacle, filled with thought provoking humour and outstanding singing.

Despite occasionally brilliant singing, the Norwegian National Opera fails to raise seasonal spirits with a dramatically inert Cavalleria rusticana and a shaky Pagliacci.

Robert Carsen's understated elegance on stage counterbalances Puccini’s highly charged melodrama. 

Calixto Bieito's production of Carmen attempts to humanise the title character, but in doing so leaves the rest as caricatures.

Strassberger’s production of Don Giovanni raises interesting questions about modern society and our relationship with religion. Unfortunately, this production lacked focus, but is redeemed by occasionally glorious singing.

Mitten im Schwarzwald weilte einmal Rossini zur Kur. Heute werden dort alljährlich bei einem Sommerfestival seine Opern gespielt; in diesem Jahr unter Anderen seinen Jugend-Geniestreich L’inganno felice in einer vor allem musikalisch überzeugenden Aufführung.

Theodor Strassberger's Oslo production of Mozart's Don Giovanni offers a fresh, mostly well-sung take on an old classic.

With this concert performance of The Barber of Seville, the Nederlandse Reisopera and its team of soloists, headed by an irresistible Mark Milhofer as Almaviva, treated the audience of the Concertgebouw to a feast of exuberant comedy and fine singing.

Vincenzo Bellini’s operas are not among those that are played most often in Norway. This Saturday’s concert performance of I Capuleti e i Montecchi at the Norwegian Opera in Oslo was the second ever to take place in Norway, the first being a concert performance in the Oslo Concert House back in 2001.