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Rossini ex machina: Stefan Herheim’s Cenerentola in Oslo

Par Aksel Tollåli, 23 janvier 2017
Chargement en cours, veuillez patienter...
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“down from the fly loft comes Gioacchino Rossini himself – paunch, toupee, angel wings and all”
Critique faite à Oslo Opera House, Main Stage, Oslo, le 21 janvier 2017
Programme
Rossini, La Cenerentola (Cendrillon)
Artistes
Norwegian National Opera
Antonino Fogliani, Direction
Stefan Herheim, Mise en scène, Décors
Daniel Unger, Décors
Esther Bialas, Costumes
Anna Goryachova, Angelina (Cinderella)
Renato Girolami, Don Magnifico
Eli Kristin Hanssveen, Clorinda
Desirée Baraula, Tisbe
Taylor Stayton, Don Ramiro
Aleksander Nohr, Dandini, valet de Ramiro
Michael Sumuel, Alidoro
Norwegian National Opera Orchestra
Norwegian National Opera Chorus
Voir plus de critiques Opéra
Wayne McGregor’s Jocasta’s Line offers powerful performances
Maggie Foyer, 13th September
A dramatic staging of two Greek myths, Wayne McGregor’s Jocasta’s Line is an epic production for Norwegian National Opera and Ballet, a truly modern and totally original work.
****1
Alone and in love: Christoph Loy’s compelling new Onegin in Oslo
Aksel Tollåli, 15th February
Chrisoph Loy's new Oslo production of Eugene Onegin only somewhat succeeds in its desire to create a meditation on loneliness, but superb musical performances still make it an utterly compelling piece of music theatre.
****1
Too many doors: Don Giovanni in Oslo
Aksel Tollåli, 29th May
Despite some dramatic frustrations, at least in Oslo, Jones' production is saved by some truly outstanding singing.
***11
Maybe it’s make-believe: a curious Norma in Oslo
Aksel Tollåli, 20th January
The first staging of Bellini's Norma in Oslo in over a century is unfortunately hampered by an irritating production, yet some glorious singing does much to rescue the show.
**111
Into the abyss: a harrowing Wozzeck in Oslo
Aksel Tollåli, 25th November
Christoph Loy's Oslo production of Wozzeck is a dramatic triumph, with gripping performances from a cast led by Audun Iversen's desperate title character.
*****
An underwhelming Barber in Oslo
Aksel Tollåli, 14th October
François de Carpentries' Oslo production of The Barber of Seville was both unfunny and underwhelming. 
**111
Plus de critiques...
Lire critiques de
Aleksander NohrAnna GoryachovaAntonino FoglianiDaniel UngerDesirée BaraulaEli Kristin HanssveenEsther BialasGioachino RossiniLa Cenerentola (Cendrillon)Margarita GritskovaMichael SumuelNorwegian National OperaNorwegian National Opera ChorusNorwegian National Opera OrchestraRenato GirolamiStefan HerheimTaylor Stayton
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Aksel Tollåli
Aksel Tollåli
Aksel is currently studying towards a degree in musicology at the University of Oslo. At the moment he is an exchange student at Goldsmiths College in London. He is also a choral singer and a trombonist. His musical interests include 20th-cenury French music, Baroque opera and the music of Richard Strauss.