En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Jessica Jahn

Quinn Kelsey shines as Verdi’s court jester as Tomer Zvulun's production opens in Los Angeles. 

A massive rotating cube, CCTV, an immigrants’ detention centre: Fidelio returns to the Toronto stage with a visually arresting production full of contemporary resonances. 

Yuval Sharon's La bohème for Opera Philadelphia proves a mix of great singing and disorienting navigation. 

Das außergewöhnlich gute Sängerensemble trägt diese aussagekräftige Opernvorstellung bei ihrer europäischen Premiere.

Yuval Sharon’s production of La bohème turns the opera upside down... with captivating consequences.

Zambello's politically re-'woke' West Side Story comes to Kansas.

The Glimmerglass Festival in Cooperstown, New York always does themed seasons. This year the season was about the idea of home. As such, the production directed by Francesca Zambello was updated from the Middle Ages to a modern-day refugee camp.

American composer Jake Heggie's early opera performed by Washington National Opera was one of those rare experiences of an opera full of raw power and wrenching emotion with superb performers that one is not likely to forget soon.

Francesca Zambello stages a new production of Robert Ward's opera The Crucible at the Glimmerglass Festival in upstate New York. 

The thrills of Tudor (pseudo-)history and bel canto expressivity combine in the second of Donizetti's “Three Queens” operas, Maria Stuarda, making its company debut at Seattle Opera.

American soprano Sondra Radvanovsky is the reason to see Anna Bolena, though the production provides plenty of other reasons to stay. 

L'Opéra de San Francisco ouvre sa 92è saison avec Norma de Bellini, avec Sondra Radvanovsky dans le rôle de Norma et Jamie Barton dans celui d'Adalgisa.