Young voices shine in Glimmerglass' The Crucible

Par Edward Sava-Segal, 17 août 2016

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Critique faite à Alice Busch Opera Theater, Cooperstown, le 14 août 2016

Ward, The Crucible

Glimmerglass Opera

Nicole Paiement, Direction

Francesca Zambello, Mise en scène

Neil Patel, Décors

Jessica Jahn, Costumes

David Pittsinger, Reverend John Hale

Brian Mulligan, John Proctor

Ariana Wehr, Abigail Williams

Jamie Barton, Elizabeth Proctor

Frederick Ballentine, Reverend Samuel Parris

Zoie Reams, Tituba

Gabriella H. Sam, Ann Putnam

Maren Weinberger, Mary Warren

Helena Brown, Rebecca Nurse

Jay Hunter Morris, Judge Danforth

Meroë Khalia Adeeb, Sarah Good

A dark, delicious take on Elizabeth Cree at Glimmerglass Festival

Cameron Kelsall, 28th July

Mezzo-soprano Tara Erraught anchors a fluid and appealingly staged new production of Kevin Puts' penny dreadful.

****1

Child's play: inventive, moving Rinaldo at Glimmerglass

Cameron Kelsall, 31st July

Director Louisa Proske refracts Handel's tale of warlords and witches through the prism of a juvenile dream world, aided by a game cast headed by Anthony Roth Costanzo.

****1

Simon Godwin directs Gounod's Roméo et Juliette at Glimmerglass

Edward Sava-Segal, 30th July

The English theatre directs turns his hand to opera with a staging of Gounod's take on Shakespeare's star-crossed lovers.

****1

Brian Vu and Meredith Arwady shine in Glimmerglass Candide

David Wolfson, 8th July

Glimmerglass Opera Festival’s production of Candide leans heavily on a dry comedic sensibility, which most of the cast execute admirably.

***11

Carmen at Glimmerglass: visually striking, dramatically inconsistent

Cameron Kelsall, 18th July

Denyce Graves, once the reigning Carmen of her day, directs a new production full of interesting choices that rarely cohere.

**111

A streamlined Trovatore at the Glimmerglass Festival

Cameron Kelsall, 7th August

Rising mezzo-soprano Raehann Bryce-Davis offers a gorgeously sung and grippingly acted portrait of Verdi's gypsy.

****1

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Edward Sava-Segal

Edward has been living in New York for the last 25 years, one of the reasons being the extraordinarily rich cultural life in this city. He has studied piano and classical music in his early years. He switched later on to computer science and data architecture but he kept an unwavering interest in following the classical music phenomenon here in New York and in his travels. Edward occasionally reviews fine arts events for the most prestigious literary magazine in Romania, his home country.

Young voices shine in Glimmerglass Opera's The Crucible