En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Kezia Bienek

Diane Paulus' staging is remarkably true to the original while making it feel like the work was written yesterday.

Harmonious images and geometric designs frame an effective staging and well sung performance of Monteverdi's last opera.

This is the 27th Donizetti opera given the Opera Rara treatment and their ability to spot a hidden gem remains as adroit as ever. 

The collaboration of Opera North and South Asian Arts is a thrilling celebration of renaissance opera and Indian classical music.

Quality singing in Cecilia Stinton's new staging comes from touchingly ardent soprano Alison Langer, as Micaëla.

Lindy Hume's new production works reasonably well in allowing the story to be told with sufficient emotional weight.

Bumble? Tinder? Who needs a dating app when you have Rabbi David setting up every singleton in sight. Opera Holland Park's new production of L'amico Fritz is a feel good rom-com that will warm the heart.

Dominic Cooke’s Magritte-inspired production returns to Wales Millennium Centre to keep the audience giggling. 

In her anxiety to be ‘new’, Shaw slaps a sackload of semi-comprehensible ideas onto a sort-of present day update.

A reconstruction of a long-lost opera by Handel gives some exciting young singers the chance to shine at the London Handel Festival, even if the plot might be better back in the mists of obscurity. 

It may not be perfect, but this rare chance to see Rossini's La gazzetta should not be missed, in a glitteringly elaborate production with a talented young cast, great choreography and even a pantomime camel...

Despite a disappointingly static production, the cast shine in the Royal College of Music's producion of Handel's rarity Arianna in Creta.