Overwrought and over-thought: Cendrillon

Par Mark Valencia, 14 octobre 2018

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“There is something amiss when the ears dance but the eyes mourn.”

Critique faite à Glyndebourne Opera House, Glyndebourne, le 13 octobre 2018

Massenet, Cendrillon

Glyndebourne Autumn

Duncan Ward, Direction

Fiona Shaw, Mise en scène

Jon Bausor, Décors

Nicky Gillibrand, Costumes

Alix Le Saux, Cendrillon

Agnes Zwierko, Madame de la Haltière

Éléonore Pancrazi, Le Prince charmant

Caroline Wettergreen, La Fée

Eduarda Melo, Noémie

Kezia Bienek, Dorothée

William Dazeley, Pandolfe

Anthony Osborne, Le Doyen de la faculté

Adam Marsden, Le Roi

Michael Wallace, Le Premier Ministre

Romanas Kudriasovas, Le Surintendant des plaisirs

The Glyndebourne Chorus

Glyndebourne Sinfonia

The Railway Children becomes a pacy action thriller at Glyndebourne

Nick Boston, 30th October

Mark-Anthony Turnage and Rachael Hewer update Edith Nesbit’s children's novel as a spy action thriller, with an exciting score and a strong cast of singers.

****1

Glyndebourne’s iconic Dream approaches its century

Eleanor Knight, 12th October

Sir Peter Hall's classic staging of Britten's Shakespearean comedy nears a landmark moment in Glyndebourne’s autumn season.

****1

Elisa Verzier commands Tom Cairns’ iconic Traviata at Glyndebourne

Eleanor Knight, 13th October

Elisa Verzier, making her Glyndebourne debut, is astonishing as Violetta in a revival of Tom Cairns' 2014 production.

****1

Dazzling revival of Il turco in Italia at Glyndebourne

Dominic Lowe, 12th October

A revival of Mariame Clément's production of Rossini's less-loved comic gem provides the sense of Italian sun to warm the body and belly laughs to warm the soul.

****1

Confusion clouds any central critique in Clément's Don Giovanni

Nick Boston, 12th November

Strong musical performances in a flawed and confused production revived for the autumn season at Glyndebourne.

***11

Another joyful return for Glyndebourne's fizzy Elisir d'amore

Nick Boston, 11th November

Strong solo and ensemble singing from a solid cast – with a last minute addition for Act 2 – make for a joyful revival of this much-loved production.

****1

Plus de critiques...

Mark Valencia

Mark has worked in arts journalism for four decades, both as a writer and as a French-English translator. Nowadays he focuses his energies on reviewing opera and music. Mark also writes for Opera magazine and for Musical America as a correspondent for Europe and the UK.

Overwrought and over-thought: Fiona Shaw directs Cendrillon for the Glyndebourne Tour