En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Hans Graf

As Singapore emerges from Covid circuit breaker, witty and ebullient Mozart is served by Hans Graf and Albert Tiu.

Young violinist Chloe Chua distinguishes in Mozart, almost stealing the show from Singapore Symphony Orchestra’s Beethoven

A warm, accomplished Metamorphosen needing a notch or two more anguish, followed by precision in Mozart's Gran Partita.

Hans Graf conducts four works which showcase the strings, then the winds and brass, of the SSO. 

It's the beginning of a new era of Singapore Symphony Orchestra history with Hans Graf at the helm offering an impressive performance.

El pasado martes la Orquesta Sinfónica de Euskadi ofreció un concierto, en el Baluarte de Pamplona, que tuvo como denominador común la escala en do mayor. La dirección de Hans Graf fue lo que dio un toque especial a la ejecución de las piezas escogidas de Beethoven, Stravinsky y Schumann.

A declamatory Bruckner Te Deum made up for a less exciting first half of Barry and Mahler. 

Pinchas Zukerman celebrated the 45th anniversary of his Cleveland Orchestra debut with Mozart’s “Turkish” concerto.

A magnificent account of Beethoven's Seventh Symphony redeems a unique, if uneven program.

Hans Graf conducts the Houston Sympony and proves even a line-up of symphonic favorites can be foiled by a tepid tempo.

  Sibelius’s Violin Concerto and Dvořák’s “New World” Symphony play to an enthusiastic Cleveland audience on a beautiful evening at the Blossom Festival.

Die Volksoper landet mit Richard Strauss' selten gespieltem Einakter Feuersnot einen Überraschungserfolg – eine Empfehlung für alle Freunde der Musik des Jubilars.

The inter-war years produced some of the most dynamic and popular choral works that have been composed since the 18th century. Tonight’s London Philharmonic Orchestra concert, conducted by Hans Graf, combined two very different results of this flowering. Both masterpieces in their own way, they unexpectedly complemented each other and made for an entertaining concert.

The Dallas Symphony Orchestra have had a couple of high-profile guest performers in town for their most recent series of concerts. They presented works by Rachmaninov and Tchaikovsky, a piano concerto and a symphony respectively, in a program that, although disastrously designed, was redeemed by some stellar playing.

In memory of violist Coen van der Heide who passed away earlier in October, the Rotterdam Philharmonic opened with the second part of Antonín Dvořák’s Serenade for Strings, which was deeply moving and followed by a minute of silence. Ottorino Respighi’s Fontana di Roma was the first piece on the official program.