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Fine voices, staid production: Rigoletto revived at Hungarian State Opera

Zita Szemere (Gilda) and Attila Mókus (Rigoletto)
© Valter Berecz | Hungarian State Opera
Rigoletto, opening scene
© Valter Berecz | Hungarian State Opera
Zita Szemere (Gilda) and Barna Bartos (Duke of Mantua)
© Valter Berecz | Hungarian State Opera
Attila Mókus (Rigoletto) and ensemble
© Valter Berecz | Hungarian State Opera
Par George Jahn, 13 juillet 2024
Chargement en cours, veuillez patienter...
Voir le listing complet
“vocal signposts in Rigoletto’s descent into the hell of his own making”
Critique faite à Hungarian State Opera: Auditorium, Budapest, le 12 juillet 2024
Programme
Verdi, Rigoletto
Artistes
Opéra d'État hongrois
István Dénes, Direction
Ádám Cser, Direction
Mária Harangi, Mise en scène
Attila Csikós, Décors
Rita Velich, Costumes
Orchestre de l'Opéra d'État hongrois
Chœurs de l'Opéra d'État hongrois
Miklós Szinetár, Mise en scène
Alexandru Agache, Rigoletto
Attila Mókus, Rigoletto
Mihály Kálmándy, Rigoletto
Rita Rácz, Gilda
Zita Szemere, Gilda
Laura Topolánszky, Gilda
Andrei Danilov, Le duc de Mantoue
Barna Bartos, Le duc de Mantoue
Istvan Horvath, Le duc de Mantoue
István Rácz, Sparafucile
László Szvétek, Sparafucile
Andrea Szántó, Maddalena
Viktória Mester, Maddalena
Lúcia Megyesi Schwartz, Maddalena
Bernadett Wiedemann, Giovanna
Klára Vincze, Giovanna
Mária Farkasréti, Giovanna
Lajos Geiger, Count Ceprano
Zsuzsanna Kapi, Countess Ceprano
Balázs Papp, Borsa
Botond Pál, Borsa
Tivadar Kiss, Borsa
Géza Gábor, Monterone
Antal Cseh, Marullo
Zoltán Bátki Fazekas, Court Usher
Diána Ivett Kiss, Page
Gábor Csiki, Chef de chœur
Jenő Lőcsei, Chorégraphie
Hungarian National Ballet
Voir plus de critiques Opéra
Budapest accueille ses Enfants terribles
Suzanne Lay-Canessa, 13th November
Jean Cocteau rencontre Philip Glass à l'Opéra d'État hongrois, dans le cadre neuf de l'Eiffel Art Studios, et cette production des Enfants terribles se déroule à un tempo infernal !
****1
All that glitters is not gold in Budapest's new Lohengrin
Orsolya Gyárfás, 16th November
Klára Kolonits's radiant Elsa proves the main attraction in the Hungarian State Opera's visually appealing but conceptually lacking new Lohengrin.
**111
A thrilling, opulent La Bayadère at Hungarian National Ballet
Gianmarco Segato, 14th June
Hungarian National Ballet's La Bayadère revitalizes tradition with a new reconstruction of its forgotten final act. 
*****
Visually splendid, dramatically parched La Gioconda in Budapest
Gianmarco Segato, 11th June
Hungarian State Opera's cut-down, dramatically inert Gioconda fails to ignite the stage in Budapest, despite a solid musical foundation. 
***11
Stumbling towards the chopping block: Maria Stuarda in Budapest
Orsolya Gyárfás, 14th May
Martin Rajna's energetic conducting and Gabriella Balga's glorious Elisabetta are the bright spots in this flashy but empty house premiere of Donizetti's classic.
**111
Hungarian National Ballet: a tremendously witty Merry Widow
Deborah Weiss, 12th February
Hungarian National Ballet strike a delightful balance between lighthearted comedy and technical assurance in Ronald Hynd's The Merry Widow.
****1
Plus de critiques...
Lire critiques de
Alexandru AgacheAndrea SzántóAndrei DanilovAntal CsehAttila CsikósAttila MókusBalázs PappBarna BartosBernadett WiedemannBotond PálBudapest Philharmonic OrchestraChœurs de l'Opéra d'État hongroisDiána Ivett KissGiuseppe VerdiGábor CsikiGéza GáborHungarian National BalletIstvan HorvathIstván DénesIstván RáczLajos GeigerLaura TopolánszkyLászló SzvétekLúcia Megyesi SchwartzMihály KálmándyMiklós SzinetárMária FarkasrétiOpéra d'État hongroisOrchestre de l'Opéra d'État hongroisRigolettoRita RáczRita VelichTivadar KissZita SzemereZoltán Bátki FazekasZsuzsanna Kapi
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George Jahn
George Jahn
George Jahn is the former Vienna bureau chief of The Associated Press. During his 35-year career at the global news organization, he covered wars, politics... and opera, reviewing productions at the Vienna State Opera, the Salzburg Festival, Bayreuth Festival and other houses in Austria and Germany. He has also written for Opera Now and International Piano magazines in London. Those he has interviewed include Matthias Goerne, Vesselina Kasarova, Thomas Hampson and Mariss Jansons. George holds or shares awards for his reporting on U.N. affairs and for his coverage of the Bosnian war. A Canadian/Hungarian citizen, he splits his time between residences in Vienna and Budapest.