En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Ciara Hendrick

I Fagiolini and the English Cornett and Sackbut Ensemble give a very special performance at Kings Place. 

Thanks to the dedicated work of scholars and practitioners in the field, in the last decade, audiences in London have become relatively familiar with the music of female composers in the Baroque period.

The enterprising forces of Opera Settecento brought the nearly forgotten music of Hasse's Demetrio to the Cadogan Hall, and in the process showed that this composer can easily match his more popular contemporaries.

An especially adapted version of Purcell's Fairy Queen, reworked by Timothy Nelson, inspires an exceptional reading from a talented young cast at Iford. 

An delightful hour of Baroque rarities from Repicco and Friends.

Handel's Susanna at the Göttingen International Handel Festival is unforgettable, a revelation.

Bruno Ravella's version of Handel's Agrippina moves the action from Classical Rome to the avaricious Eighties in a sharp, amusing night at Iford.  

Opera North's static production of Monteverdi's The Coronation of Poppea directed by Tim Albery takes place in a murderous psychopath’s private cellar. 

Alice's story in a sparkling outdoor production for families, which will not disappoint mainstream opera enthusiasts.

For sheer dramatic potential, let alone the beauty of its music, Daniel Purcell’s The Judgement of Paris is a rare find. In this celebratory performance at St John’s Smith Square, this long-lost opera sparkles at us across the silent centuries. 

Lynn Binstock is to be warmly congratulated on creating an original, special, fascinating opportunity for the opera audience to get to know opera singers in this St James Theatre show.

I’ve had the great privilege and even greater joy over the last couple of months to have been totally immersed in Bach: I’ve been researching him, and particularly his Passions, since Christmas.