En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Simon McBurney

Fruit d'un travail entre la chorégraphe canadienne Crystal Pite et le metteur en scène britannique Simon McBurney, Figures in Extinction est un succès incontestable, porté par une compagnie au sommet de son art.

An evening focused on the separation of humanity from the natural world and the destruction of that world, either because of ignorance, greed or just not caring.

Simon McBurney sorprende al público de Les Arts con una innovadora producción de La flauta mágica. 

English National Opera brings back Simon McBurney's theatre of wonders for this Mozart classic. 

After its Met Opera debut earlier in the year, Simon McBurney's popular staging returns to Amsterdam. 

Sir Simon Rattle and the LSO give an orchestral performance to remember, with a fine singing cast, but Simon McBurney's staging dials the bleakness to maximum too early.

The Los Angeles Philharmonic under Salonen look back at the dwindling twilight years of the Weimar Republic. 

Simon McBurney's production of The Magic Flute continues to delight and this revival benefits from a strong cast, led by the superb Lucy Crowe as Pamina.

Back for its third run at Dutch National Opera, with a satisfying cast, McBurney's staging wins new converts. 

McBurney's brilliant stagecraft brings child-like wonderment to the most hardened adults; his interpretation and Raphaël Pichon's conducting exude Mozartian rightness.

Virtuoso modern stagecraft and a fine cast combine in a very enjoyable, present-day Rake’s Progress.

Simon McBurney's production of The Rake's Progress for Festival d'Aix-en-Provence begins with the equivalent of a blank page – a simple white paper box onto which he pours his inspiration.

A revival of Simon McBurney's 2013 production of The Magic Flute reaches new heights under Mark Wigglesworth's baton.

A fine cast and orchestra revive Simon McBurney’s twilit, inventive Magic Flute at Dutch National Opera.

Before the beginning of this new version of Mozart’s The Magic Flute from Simon McBurney, Complicite and English National Opera, one may wonder, looking at the stage, why it was recently hailed as the company’s most technically advanced creation to date: an austere, no-frills set consisting of a single suspended rectangular slab and a raised orchestra pit both reflect this production’s refreshing

Last night saw the UK première of Alexander Raskatov's new opera A Dog's Heart, performed by ENO together with theatre company Complicite. The opera, based on a 1925 novella by Russian satirist Mikhail Bulgakov, tells the tale of Sharik, a stray dog who is given the testicles and pituitary gland of a human by an eminent surgeon, the Professor.