Simon McBurney's Magic Flute makes a joyous return to ENO

Par Dominic Lowe, 16 mars 2019

Chargement en cours, veuillez patienter...

Voir le listing complet

“Brindley Sherratt’s plush bass was on magnificent display as Sarastro”

Critique faite à The London Coliseum, Londres, le 14 mars 2019

Mozart, La Flûte enchantée (Die Zauberflöte)

English National Opera

Ben Gernon, Direction

Simon McBurney, Mise en scène

Michael Levine, Décors

Nicky Gillibrand, Costumes

Ru Charlesworth, Tamino

Lucy Crowe, Pamina

Thomas Oliemans, Papageno

Brindley Sherratt, Sarastro

Julia Bauer, Reine de la nuit

Eleanor Dennis, Première Dame

Samantha Price, Deuxième Dame

Katie Stevenson, Troisième Dame

Jonathan Lemalu, L'Orateur (Der Sprecher)

Rowan Pierce, Papagena

Daniel Norman, Monostatos

David Ireland, Deuxième Prêtre, Second homme en armure

David Webb, Premier Prêtre, Premier homme en armure

English National Opera Chorus

English National Opera Orchestra

Josie Daxter, Revival Director

ENO’s Mahagonny: biting, bleak, brilliantly executed satire

David Karlin, 16th February

Never has Brecht and Weill’s satire on the inhumanity of man to man been render with such utter darkness; Simon O’Neill heads up a superb cast.

*****

Taken for a ride: an energetic revival of Così fan tutte at ENO

Dominic Lowe, 6th February

English National Opera's revival of Phelim McDermott’s popular production is a blend of spectacle with some first-class singing, with Lucy Crowe emphasising her Mozartian credentials.

****1

Cocteau-esque camp: Alden’s Partenope returns to ENO

Mark Valencia, 20th November

Christopher Alden’s Olivier Award-winning production of Handel’s Partenope returns to the Coliseum, but it's the singing that earns the plaudits.

****1

Dead Man Walking at English National Opera: a superb execution

David Karlin, 1st November

Anneliese Miskimmon's ENO production of Jake Heggie and Terence McNally's tale of crime, repentance, compassion and redemption compels from start to finish.

*****

Comedy falls flat in ENO's season opening Cinderella

Mark Valencia, 27th September

Julia Burbach and her designer, Herbert Murauer, are defeated by the wide canyons of the Coliseum stage in their modern-dress Cinderella.

**111

ENO gives Thea Musgrave's Mary, Queen of Scots a worthy performance

Nick Boston, 15th February

Musgrave's powerful depiction of a powerful woman at the mercy of male manipulation receives a strong staging from at ENO.

****1

Plus de critiques...

Dominic Lowe

Dominic Lowe recently completed a degree in Classics, and one of his great interests is the reception of Greece and Rome in opera. A regular opera-goer since his very early teens, he is particularly keen on the hidden operatic gems of the 19th century. He is largely based in the South of England.