En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Richard Croft

La genialidad de Robert Wilson se despliega en la forma y no tanto en el fondo, y esta propuesta no consigue que los elementos se aúnen en una dimesión emocional.

A grimly dark setting for Mozart's final opera, Sesto and Tito haunted by childhood memories. 

Benjamin Britten's Death in Venice at the Deutsche Oper Berlin in an outstanding new production by Graham Vick and Donald Runnicles.

Concerto Köln, honed to perfection, and an accomplished cast star in Claus Guth's tense, dark staging of Handel's Jephtha. 

An outstanding premiere of Bohuslav Martinů's Juliette at the Schiller Theater in Berlin has a delighted public jumping to their feet with applause.

Seldom performed, this Vivaldi work plays on all the great themes of opera: jealousy, identity, paternal and fraternal love, and other human values cast aside for all the wrong reasons.

Claus Guth gives the Staatsoper Berlin a Turn of the Screw unlike any other.

What happens when a hero comes home? The exploration of this question forms the basis of director Peter Sellars’ new production of Hercules at the Canadian Opera Company.

“It is not his trial, it is mine, mine. It is I whom the devil awaits.” Richard Croft's Vere leads an outstanding cast in LA Opera's revival of Billy Budd.

Come for the singing, enjoy the music and bring your sunglasses: this psychologically charged Idomeneo at the Theater an der Wien is not to be missed.

Ancient Greek superheroes – irresistible. Half god, half man, incredible deeds leave Perseus, Theseus, and of course Hercules enough to rival Superman, Spiderman, and The Incredible Hulk. Small wonder then why these demigods and precursor of the modern comic book superhero have captivated the hearts and minds of many of the world’s greatest writers, dramatists and composers.

Read our review of Robert Lepage's production of Das Rheingold by Wagner, in its 2010 broadcast from the Met Opera in New York.