Rechercher des critiques de musique classique, opéra et ballet | Angela Gheorghiu

La nouvelle production de l’Opéra Bastille marque par la qualité du plateau vocal et la beauté des costumes

Invités au salon d’Angela Gheorghiu, les mets sucrés auront eu raison de notre foie… 

Red-blooded performances from the three principals at Covent Garden, even if there are vocal misfires along the way. 

The ninth revival of Jonathan Kent’s production features a great Act 1 and enjoyable Covent Garden role debuts for the three top singers, but misses the mark on the set pieces.

Selbst bei kurzfristigen Absagen weiß es die Staatsoper einen „gewöhnlichen“ Repertoireabend zum Glänzen zu bringen.

Gerald Finley's velvet baritone lights up this revival of David McVicar's production of Cilea's murder story

Lavish sets and costumes, plus high musical quality, make Tosca at the Vienna State Opera a fine example of grand opera. 

A clumsily directed, poorly sung Tosca at the ROH made for a dispiriting evening. 

Angela Gheorghiu als leidende Charlotte, Jean-Francois Borras als leidenschaftlicher Werther und das melancholische Dirigat von Frederic Chaslin sorgten zwar nicht für einen perfekten, aber hochemotionalen Abend an der Wiener Staatsoper.

Zeffirelli's La Bohème at the Met never fails to charm. Balance issues aside, a beautifully sung performance by a very capable cast.

Ermonela Jaho gives an incomparable vocal acting performance; John Copley's production, 40 years old this year, never fails to enthrall. It's being retired after next season: catch it while you can, and remember to pack the handkerchiefs.

It’s more than a little surprising that Francesco Cilea’s Adriana Lecouvreur is first gracing the stage of the Staatsoper in 2014, 112 years after its première.It is, therefore, disappointing that this co-production with Covent Garden is not more successful, despite its many excellent qualities.

OK, opera fans: anyone out there tired of being confronted with provocative modern interpretations of beloved operas? If so, this Tosca production is just what the doctor ordered.Set, costume and direction all work together in this classic 1958 production to create the impression of Puccini’s turn-of-the-century masterpiece as it was originally intended.

In La rondine’s climactic scene, when Magda explains to her young lover Ruggero why she believes she must leave him, Puccini sets their exchange to one of the most hackneyed of all musical formulas: the cycle of fifths.

Continuing the experiment from the opening of the season, San Francisco Opera’s current run of Tosca has several performances occurring on consecutive days or in close proximity, necessitating two different casts. The Thursday opening made headlines when the leading lady was felled by illness and a new talent, Melody Moore, made her mark in storybook fashion.

Ever since I saw Angela Gheorghiu in the title role of Barbara Willis Sweete’s brilliant opera film Romeo and Juliette, this soprano has been on my must-see-no-matter-what list. However, seeing Gheorghiu live is much easier said than done.

“I will return! I want to again be intoxicated by the triumphant smile of art!” proclaims the actress Adriana Lecouvreur in the extravagant opera of the same title. With this role, the soprano Angela Gheorghiu returned to New York in the first performance of the Opera Orchestra of New York’s Carnegie Hall season.

In this Royal Opera production of Gounod's Faust, there's no question about who's in charge. Not only does the devil get all the best lines, but he bosses the show from beginning to end. Clad in feathered hat, long curly wig and reminiscent of the Laughing Cavalier, René Pape plays Mephistopheles quite superbly, alternating between mercurial bouffe comic lines and extreme sardonic nastiness.

Ever since the Royal Opera House announced that two performances of its summer revival of Jonathan Kent's production of Tosca would feature an all-star cast, opera lovers all over the world have been desperately trying to get their hands on a golden ticket.

Giacomo Puccini comprehensively eclipsed the other Italian composers of his era. Three of them remain in the repertoire as one hit wonders: Mascagni, Leoncavallo and Francesco Cilea, whose four act Adriana Lecouvreur opened at Covent Garden last night.