En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Ian Page

Sous la direction à la fois soignée, claire et ferme du chef britannique Ian Page, solistes, chœur et orchestre ont livré une interprétation à la fois énergique et sensible de l'œuvre de Haendel.

En ouverture de leur saison et préfigurant la célébration des 250 ans de Mozart, le Classical Opera, offrait au Barbican un concert de l’inachevé. Un programme monumental et une interprétation fidèle, pour un rendu presque trop soigné.

Expressive energy from Rachel Podger in two Mozart violin concertos, with a rare symphony and lively Haydn from Ian Page and the Mozartists.

A splendid cast led by Ann Hallenberg does justice to an integral version of Handel’s masterpiece under the baton of Ian Page.

Classical Opera takes a break from Mozart with two short operas by Gluck.

Classical Opera’s performance of one of Mozart’s earliest operas throbbed with youthful energy; a strong cast brought the humour to life and made up for any weakness in the score.

Ian Page's new ensemble kicked off with a feisty performance of Mozart's Symphony No. 29 and Sinfonia Concertante for Violin, Viola and Orchestra with two splendid arias sung by Louise Alder.

Mozart's “pasticcio concertos”, composed at the remarkable age of 11, may lack integral vibrancy and brilliance, but are brought to life by an exuberant Bezuidenhout

Mozart's first stage work was written when he was just eleven years old; in this performance by Classical Opera, the composer's youthful writing and touches of humour are brought to life by a solid cast and lively conducting.

Haydn's La canterina provides cheerful undemanding entertainment from Classical Opera. 

Ian Page assembled a fine cast, with a particularly good Leporello from David Soar for yet another superb performance of Mozart from Classical Opera.

A concert performance wasn't perhaps the best way to make a case for Jommelli's Il Vologeso, presented as part of Classical Opera's Mozart 250 series. 

J.C. Bach's opera Adriano in Siria, set to a popular libretto by Metastasio, was first performed in London in January 1765 when the nine-year-old Mozart was in town.

Classical Opera, with some deft revisions to Süssmayr's recitatives and a superb team of soloists, bring us a Clemenza both powerful and poignant, finally doing justice to Mozart's underrated late opera, composed for the coronation of a Hapsburg king. 

Ian Page and the Classical Opera Company have made a specialty of performing early Mozart operas and at the weekend, they gave two performances of his two-act serenata, Il re pastore as part of the series “Mozart Unwrapped” at Kings Place.