En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Luis Gomes

Pour cette dernière production de la saison lyrique monégasque, le duo propose une incarnation formidable des protagonistes de l'opéra puccinien.

Strong vocal and orchestral performances, supported by impressive visuals, struggle to bring coherency to Anthony Bolton's Island of Dreams at Grange Park Opera.

All the energy is in the pit in this flat production of a time-honored favorite.

A memorable outdoor Traviata from a young cast who immerse us completely in the story.

Taking snapshots from 1806 and 1807, the BBC Philharmonic present two works from Beethoven’s middle period, with high musical standards and the Dresden Chamber Choir on superb form.

After its Christmas break, Cavalleria rusticana and Pagliacci return to the Royal Opera in Daminano Michieletto's arresting production. 

The father-daughter exchanges between Dmitri Platanias's jester and Sofia Fomina's Gilda prove the highlights of an evening which doesn't always catch fire.

Even stronger than first time round, Michieletto's impressive staging is complemented by an outstanding double role debut from Hymel and a heartbreaking Santuzza from Elīna Garanča.

Renaud Doucet and André Barbe’s La bohème for Scottish Opera set in the jazz-age is packed with Parisian life. 

Kent's staging brings out the sleaze in Puccini's first big hit; Sondra Radvanovsky thrills in the title role; the musical performance improves through the evening.

Stephanie Marshall's Romeo and Sarah-Jane Brandon's Giulietta make this production of Bellini's version of Romeo and Juliet utterly compelling.

Singing at short notice, Luis Gomes made a fine partner for Ekaterina Siurina at another superb recital in the Rosenblatt Recital series.

A blistering performance of Suor Angelica is the highlight of this strongly performed revival of Richard Jones' 2011 production.

Even us Verdi enthusiasts experience something of a heavy tread as we wend our way to yet another Traviata at the Royal Opera House.

School’s out for summer and with it the opportunity for the Royal Opera’s Jette Parker Young Artists to showcase their talents in the end of term main stage performance. 

If “all the world’s a jest”, as Sir John Falstaff claims at the end of Verdi’s final operatic masterpiece, then we need players – and directors – with a sense of frivolity. Robert Carsen truly delivers. 

Aleksandra Kurzak delivers a top drawer performance as Fiorilla, leading a star-studded cast as Evelino Pidò gives us a lesson in how to conduct Rossini in the latest revival of Il turco in Italia.

First class performances from Stephen Gould and Nina Stemme are backed by a magnificent orchestral performance in the Royal Opera's revival of Christof Loy's spartan production.

Figaro rules the roost on the main stage this autumn, but buried in the Nibelheim of the Linbury Studio, Rossini'ss early comedy La scala di seta receives its first ever production by the Royal Opera.

If you want to have your operatic head seriously messed with, imagine the following: Così fan tutte staged on the Act I/IV set of John Copley’s soon-to-be-mothballed La bohème, which closed with a double performance on Saturday afternoon and evening. Throw in Don Alfonso sporting frock coat, wig and cane, looking for all the world like Baron Scarpia, and the mash-up of references had my head spinning.

Celebrating its 25th anniversary season, British Youth Opera are once again exploring the 19th- and 20th-century lyric repertoire in staging their first ever production of Smetana’s comic opera The Bartered Bride alongside Judith Weir’s A Night at the Chinese Opera.

Otto Nicolai’s very German take on Shakespeare’s The Merry Wives of Windsor was a big hit in the mid-19th century but has been infrequently performed since then, largely because Verdi’s version, Falstaff, completely eclipsed it.