En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Joanna Marie Skillett

It is clear that these women are already ripe for plucking even before Don Alfonso unleashes his dastardly plan.

An embarrassingly trite libretto proves unsalvageable, even with a committed cast of singers.

A great return appearance for English Touring Opera's Puccini double bill opening its spring tour at the Hackney Empire.

Superb singing and skilful acting make a good case for Radamisto in a conceptually ambitious new production which, while not entirely successful, is well worth seeing. 

In the first of its opera productions this season, the Guildhall School of Music and Drama presented an interesting combination of Stravinsky's odd little comedy, Mavra and Tchaikovsky's tale of the blind princess, Iolanta.

After a sparkling Act I, energy fades slightly on a sweltering night in London, but Opera Holland Park's Die Fledermaus has a lot going for it.

Judith Weir's music didn't have the pride of place it deserved at this miscellaneous collection of music from past and present Masters of the Queen's Music, presented by the Park Lane Group at the Sam Wanamaker Playhouse.