Sensitive negotiations: Handel's Radamisto, Guildhall

Par Charlotte Valori, 06 juin 2017

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“a subtle acting challenge for the principals, to which this fine young cast rises with aplomb”

Critique faite à Guildhall School of Music & Drama: Milton Court Theatre, Londres, le 5 juin 2017

Haendel, Radamisto, HWV 12a, b

Chad Matthias Kelly, Direction

John Ramster, Mise en scène

Louis Carver, Décors, Costumes

Chloë Treharne, Radamisto

Jade Moffat, Zenobia

Dominick Felix, Tiridate

Margo Arsane, Polissena

Bertie Watson, Farasmane

Joanna Marie Skillett, Tigrane

Elizabeth Skinner, Fraarte

Guildhall School Orchestra

The Flying Dutchman sails into Bergen

Dominic Lowe, 10th March

Bergen National Opera’s new production allows the story to speak to itself, while strong performances from Eric Halfvarson and Elisabeth Teige gave the performance its edge.

****1

Handel’s Agrippina in a swinging 60s production

David Smythe, 21st January

The early Handel opera Agrippina is given a rare and playful outing at the Royal Conservatoire of Scotland with clear Italian singing, joyous Baroque playing and lively stage production.

****1

Flinty graves: a chilling Poppea

Dominic Lowe, 20th May

In Shoreditch, the Royal Academy of Music showed off some superb singing in a chilling exploration of tyranny and unrestrained power.

****1

Monks, mistresses and broken swords

Dominic Lowe, 14th March

At the Theatre Royal Stratford East, the student group made a convincing case for the French version of this gripping work.

***11

Blue lips and beards: The Rake's Progress

Richard Milne, 16th March

Does the devil get the best tunes? Nick Shadow steals the show in the Royal Academy's production of The Rake's Progress.

***11

Britten’s blank postcard from Belsen: The Rape of Lucretia at the Royal Academy of Music

Charlotte Valori, 15th May

Drawing a line of suffering from ancient Rome to Golgotha to the concentration camps, Britten’s blank postcard from Belsen strikes to the heart of humanity. The Rape of Lucretia is brilliantly realised by the Royal Academy of Music.

****1

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Charlotte Valori

Charlotte Valori read Classics at Christ Church, Oxford. As a classicist, her main interest is Greek tragedy and its reception by later cultures, which has led to a continuing passion for theatre and opera. Charlotte reviews for several online magazines, and won the Bachtrack Opera Award 2015 for Best Written English Review. Follow her on Twitter @operissima.