En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Anthony Ward

Tout au long de la représentation, on a l'impression de feuilleter l'un de ces beaux livres de contes illustrés par Gustave Doré qui font les souvenirs d'enfance, ou de retrouver l'atmosphère des premiers Walt Disney.

Benjamin Britten’s dark masterpiece Peter Grimes returns triumphantly to Opera North, conducted by Gary Walker and revived by Karolina Sofulak and Tim Claydon.

A triumphant revival against all the odds as Sir Matthew Bourne's Sweetieland festivities return – briefly – to the stage. 

The Italian soprano produces enormous power and great sensitivity in equal measure to illuminate a memorable Verdi Macbeth.

Michael Barker-Craven directs and Renato Balsadonna conducts this successful revival of Puccini's La bohème in Opera North's production at Leeds Grand Theatre.

The Royal Opera's revival of Phyllida Lloyd's production is marked by two outstanding Verdian singers and a superb rendering of the score from Pappano and the ROH Orchestra.

Baroque purists might prefer a more surefire line-up of brilliantly executed arias, but the theatrical framework of Adrian Noble's Alcina production offers a great deal.

Schön statt schaurig: Christian Thielemann und das Staatsopernorchester liefern die erwartete Sensation, Adrian Noble inszeniert klassich mit Anklängen an Alice im Wunderland.

Opera North revives a brilliantly successful production of Carousel directed by Jo Davies at the Leeds Grand Theatre.

A very welcome and triumphant revival of Peter Grimes begins Opera North’s Festival of Britten season, soon to be followed by A Midsummer Night’s Dream and Death in Venice. The work has often been described as Britten’s greatest, the paeans of praise beginning soon after its first performance just after the Second World War, often involving the word “enigma”.