En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Harriet Eyley

An excellent singing cast combine with Bruno Ravella's sensitive direction and brilliant orchestral playing to bring to life Strauss' heady mix of farce and high art.

Olivia Fuchs gives a powerful staging of Janáček's morality tale of the perils of eternal youth, with an excellent cast, but there are reservations about the title role.

Composer-librettist Adamo does full justice to Louisa May Alcott's 19th-century bestseller, one of the most widely read works in American literature.

It sizzles with energy, fizzes with musical delight and rejoices in an understated sense of fun. Conway gives the work’s incongruities free rein and defies the audience not to chuckle.

A solid Figaro in Cardiff, in which individual performances are a joy, and humour abounds. 

Virginie Verrez acted not with fire and ice but with gallic insouciance.

Timothy Edlin was a superb ass, first among six equals, in Liam Steel's production. 

The Royal College of Music's first opera of the season, The Cunning Little Vixen has some excellent singing and first-class playing from the student orchestra.

Stephen Unwin's straight direction and some talented young singers from the Royal Academy of Music Opera school made these two works a real treat.