English Touring Opera heads back on the road with Handel's Amadigi

Par Mark Valencia, 03 octobre 2021

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“an evening of happy stagecraft and ecstatic arias”

Critique faite à Hackney Empire, Londres, le 1 octobre 2021

Haendel, Amadigi di Gaula

English Touring Opera

Jonathan Peter Kenny, Direction

James Conway, Mise en scène

Neil Irish, Décors, Costumes

Rory Beaton, Lumières

Harry Pizzey, Assistant Designer

William Towers, Amadigi

Rebecca Afonwy-Jones, Dardano

Francesca Chiejina, Melissa

Harriet Eyley, Oriana

Old Street Band

Art imitates art in ETO’s bracing new Pagliacci

Dominic Lowe, 10th April

Divorced from Cavalleria rusticana, English Touring Opera’s contemporary take on Leoncavallo’s masterpiece ticks all the boxes.

****1

English Touring Opera transfers Donizetti to the English coast

Dominic Lowe, 27th September

L'elisir d'amore may not immediately bring Skegness or Romney to mind, but ETO's new production works quite well there... just look out for the seagulls!

***11

Blissful and hard-boiled: I Capuleti e i Montecchi at ETO

David Karlin, 22nd February

Eloise Lally shifts the Romeo and Juliet love story into New York mafia families. Jessica Cale and Samantha Price provide blissful bel canto as the star-crossed lovers.

****1

A tender Shakespeare-inspired curio from English Touring Opera

Susannah Moody, 15th February

ETO kicks off its spring season with What Dreams May Come, a strange and moving staging of songs inspired by William Shakespeare.

***11

Theatrically poverty-stricken: ETO's Blond Eckbert

Mark Valencia, 18th October

Judith Weir's cryptic folk opera lacks the narrative propulsion necessary to enthral an audience, and without resolution there is no catharsis.

**111

ETO's The Snowmaiden melts the heart and gladdens the ears

Dominic Lowe, 28th September

Olivia Fuchs' production of Rimsky-Korsakov's charming fable for ETO begins its tour in Hackney and is worth travelling to see. Catch this thoughtful production in a town near you.

****1

Plus de critiques...

Mark Valencia

Mark has worked in arts journalism for four decades, both as a writer and as a French-English translator. Nowadays he focuses his energies on reviewing opera and music. Mark also writes for Opera magazine and for Musical America as a correspondent for Europe and the UK.