En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Richard Roberts

The company returned to its home at the Academy of Music after three years with a brutalist take on Verdi's middle-career masterpiece.

A solid Figaro in Cardiff, in which individual performances are a joy, and humour abounds. 

Ariadne auf Naxos shines in an ultra-contemporary world of high net worth tantrums at Longborough Festival Opera, complete with glam rock fairies, giant string, and glorious music. 

While the Welsh were merrily slaying Belgians in Euro 2016, one dragon was on the receiving end at the Royal Festival Hall.

Opera North's cycle offers a form of personal Wagner therapy: all four music dramas in concert performances, but with carefully choreographed video and lighting effects. 

Saffron Opera Group's opening salvo bodes exceptionally well for their planned full cycle of concert performances of Wagner's Ring over the next two years. 

Amateur gangsters, but a nicely sung, if rather staid Lucia di Lammermoor at Buxton, worth seeing for its excellent mad scene.

With ENO having been in the news for all the wrong reasons last week,  it needed Richard Jones' The Mastersingers of Nuremberg to be a great production. Lit up by a towering performance by Iain Paterson, it is.

Keri-Lynn Wilson produces an outstanding UK conducting debut in Richard Jones' faithful production of Puccini's Girl of the Golden West for ENO.

Siegfried, the “Second Day” of Der Ring des Nibelungen and the third staging by Opera North after Die Walküre in 2012 and Das Rheingold the year before, is just as enthralling as its predecessors.

In the cosy confines of a packed Hampstead Theatre ENO’s English adaptation of Jacob Lenz produced an exciting, entertaining and emotionally draining 70 minutes of opera. Premiered in 1979 this is Rihm’s account of Sturm und Drang writer Jakob Lenz’s descent into madness.

History has cast a complex light on Wagner’s music and on Wagner the man. But Tristan & Isolde (Wagner’s enormous vision of erotic love) is an opera that can still resonate today. Nietzsche referred to its “dangerous fascinations”, “spine-tingling and blissful infinity“ and “voluptuousness”. This was Grange Park Opera’s first foray into Wagnerian opera.