En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Jonathon Heyward

Jonathon Heyward led the Baltimore Symphony in a Beethoven piano concerto along with a new Concerto for Orchestra by composer-in-residence James Lee III.

Jonathan Heyward's first season as BSO Music Director closed with an exciting world premiere from composer-in-residence James Lee III, alongside audience favorites old and new.

John Williams' Violin Concerto composed for Anne-Sophie Mutter misses the mark in the LPO's night at the movies. 

Jessie Montgomery's 2016 Records from a Vanishing City enthralls, Barber’s Violin Concerto is exquisite; Schumann's Rhenish disappoints.

Denis Kozhukhin is a late stand in for Grieg's Piano Concerto, while Jonathan Heyward shapes Beethoven's Seventh with ambition and energy.

The Royal Opera House responds to current global turmoil with a double bill by four women composers. Baritone Peter Brathwaite delivers a tour de force in The Knife of Dawn and A New Dark Age is a powerful emotional journey.

Jonathon Heyward steps in for Sir Mark Elder to conduct The Hallé in Shostakovich's Leningrad.

A brilliant modern revisioning by Genevieve Raghu, in a superb contemporary translation by Benjamin Hamilton, makes Don Giovanni feel more relevant than ever for the Tinder generation and their disposable approach to love.