Royal Opera's A New Dark Age is a powerful cantata for our time

Par Jenny Camilleri, 25 octobre 2020

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“a visceral cantata about pandemic-induced loss and loneliness”

Critique faite à Royal Opera House, Covent Garden, Londres, le 24 octobre 2020

Kendall, The Knife of Dawn

compositeurs divers, A New Dark Age (Music by Missy Mazzoli, Anna Meredith and Anna Thorvaldsdottir)

The Royal Opera

Natalie Murray Beale, Direction

Jonathon Heyward, Direction

Katie Mitchell, Mise en scène

Vicki Mortimer, Décors

Adam Silverman, Lumières

Peter Brathwaite, Martin Carter

Nadine Benjamin, Soprano

Anna Dennis, Soprano

Susan Bickley, Mezzo-soprano

Ola Ince, Mise en scène

Grant Gee, Video Director

Akhila Krishnan, Video Designer

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Eleanor Knight, 26th March

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*****

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Dominic Lowe, 25th March

Sir Mark Elder celebrates 50 years at Covent Garden by returning to his first opera there in 1976 – Verdi's Rigoletto – in a revival of Oliver Mears' excellent 2021 production.

****1

Siegfried at the RBO: Kosky and Pappano surprise and delight

David Karlin, 17th March

A revelatory orchestral performance and a cast led by Andreas Schager, Christopher Maltman and Elisabeth Strid make this a Siegfried for the record books.

*****

Terfel’s craggy Boris Godunov returns to Covent Garden

Mark Pullinger, 29th January

The second revival of Richard Jones' staging of Mussorgsky's original 1869 version of Boris Godunov once again stars the Welsh knight.

****1

Ermonela Jaho returns in triumph to The Royal Opera’s Traviata

Mark Valencia, 8th January

Richard Eyre’s 32-year-old production is rarely out of The Royal Opera’s repertoire for more than a few months at a time, but this particular revival proves very special.

*****

Turandot drowned in an orchestral tsunami at The Royal Opera

David Karlin, 15th December

Andrei Șerban’s 40 year old take on Puccini's tale of the ice princess largely stands the test of time, but Netrebko and Eyvazov are short of their best form.

***11

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Jenny Camilleri

After completing her postgraduate studies in psychology at the University of Toronto, Jenny moved to Amsterdam, where she enjoys singing in amateur choirs. She loves all genres of classical vocal music, especially nineteenth and early twentieth century Italian and German opera and art songs.