Concertos old and new on Heyward’s energetic Baltimore program

Yefim Bronfman

Par Sam Jacobson, 09 juin 2025

Chargement en cours, veuillez patienter...

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“[Bronfman] deftly balanced graceful and lyrical playing with the exuberant”

Critique faite à Joseph Meyerhoff Symphony Hall, Baltimore, le 8 juin 2025

Beethoven, Concerto pour piano et orchestre no. 5 en mi bémol majeur «l'Empereur», Op.73

Lee III, Concerto for Orchestra

Smetana, Má Vlast (Ma Patrie): Vltava (La Moldau)

Yefim Bronfman, Piano

Baltimore Symphony Orchestra

Jonathon Heyward, Direction

Musical journeys end Baltimore Symphony season

Cameron Kelsall, 16th June

Jonathan Heyward's first season as BSO Music Director closed with an exciting world premiere from composer-in-residence James Lee III, alongside audience favorites old and new.

***11

ユンチャン・イムとマリン・オールソップ、ボルティモアで再会のラフマニノフ

Cameron Kelsall, 26th April

一昨年、クライバーン·コンクールでのラフマニノフのピアノ協奏曲第３番で一世を風靡したソリストと指揮者が、叙情とウィットと情熱をかねそなえ、協奏曲第２番に挑む。

****1

Rachmaninov redux for Yunchan Lim and Marin Alsop in Baltimore

Cameron Kelsall, 25th April

After going viral with Rachmaninov's Third Piano Concerto at the Cliburn two years ago, soloist and conductor tackle his Second with a balance of lyricism, wit and fire.

****1

Rune Bergmann leads a reverent Bruckner 7 in Baltimore

Cameron Kelsall, 5th November

The Baltimore Symphony Orchestra dedicate their performance to former music director Yuri Temirkanov, who died last week.

***11

David Danzmayr showcases the Baltimore Symphony’s virtuosity

Phillip Nones, 22nd October

David Danzmayr delivers epic storytelling in Sibelius' First Symphony, while soprano Christine Goerke heightens the drama with powerful Barber and Menotti heroines.

****1

Black composers take center-stage in Baltimore Symphony season finale

Cameron Kelsall, 18th June

Artistic advisor James Conlon presents a triptych of works by Adolphus Hailstork, Alvin Singleton and Joel Thompson next to an edgy, ironic reading of Shostakovich's Tenth Symphony.

***11

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Sam Jacobson

Sam Jacobson has been writing for Bachtrack since 2015 and is currently in Pittsburgh, having previously lived throughout the Midwest. A keen traveler, he endeavors to see all the great orchestras and opera houses across the US and abroad. Outside of music, he works as a software engineer. He also maintains a blog which can be read here.

Concertos old and new on Jonathon Heyward’s energetic Baltimore program