En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Joseph Walsh

The ballet culminates with fouettés, bravura leaps from the oversized ensemble and a rousing finish with all 44 dancers onstage. It was an exuberant end to an intelligent, satisfying production, both of thought and movement.

****1

Plus d'infos

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San Francisco

13 févr. 2020

Philosophy amid movement in San Francisco Ballet’s Dance Innovations

Par Terez Rose

San Francisco

San Francisco Ballet opens repertory season with Wheeldon’s magical Cinderella

Par Terez Rose, 21 janvier 2020

Wheeldon’s Cinderella is the kind of production that so enthralls, you immediately want to make plans to see it again.

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Plus d'infos

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San Francisco

21 janv. 2020

San Francisco Ballet opens season with Wheeldon’s magical Cinderella

Par Terez Rose

Londres

A lively evening of pure dance from San Francisco Ballet

Par Graham Watts, 05 juin 2019

An enjoyable evening of thematic dance but without any insights into the future of ballet.

***11

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***11

Londres

05 juin 2019

A lively evening of pure dance from San Francisco Ballet

Par Graham Watts

Londres

Ratmansky's Shostakovich Trilogy opens San Francisco Ballet residency at Sadler's Wells

Par Graham Watts, 29 mai 2019

A welcome return to London for America's oldest ballet company begins with a highly personal interpretation of Shostakovich in dance

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Londres

29 mai 2019

Shostakovich Trilogy opens San Francisco Ballet residency

Par Graham Watts

San Francisco

San Francisco Ballet’s Shostakovich Trilogy brings a strong close to the season

Par Terez Rose, 07 mai 2019

Ulrich Birkkjaer presented an affecting portrait of a tormented Shostakovich, as he paced, leapt, slumped, was propped back to standing, and relentlessly propelled forward.

*****

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*****

San Francisco

07 mai 2019

A strong close to the SF Ballet season

Par Terez Rose

San Francisco

Wheeldon’s Cinderella infuses elegance with the weird and wonderful

Par Terez Rose, 28 avril 2017

The show stealer is the opening scene of Act III, as the curtain rises to reveal a line of females, both human and forest-creature, seated, waiting to try on the slipper the prince holds. It’s brilliant, laugh-out-loud clever.

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San Francisco

28 avril 2017

Wheeldon's Cinderella, SFB

Par Terez Rose

San Francisco

Arthur Pita’s Salome for San Francisco Ballet is both sexy and sinister

Par Terez Rose, 09 mars 2017

Set to Frank Moon’s moody, thematic score, the curtain rises on a foggy night scene as a shiny black stretch limousine glides onstage—the real deal, dazzling to behold, like a noir film come to life.

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San Francisco

09 mars 2017

Contemporary Voices in San Francisco

Par Terez Rose

San Francisco

Frankenstein at San Francisco Ballet: Is traditional ballet enough?

Par Jaime Robles, 17 février 2017

Here technology breathes theatricality into vast architectural sets, where shadows haunt and light electrifies.

***11

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***11

San Francisco

17 févr. 2017

Frankenstein

Par Jaime Robles

San Francisco

Possokhov’s Optimistic Tragedy provokes and pleases in San Francisco Ballet’s Program 2

Par Terez Rose, 26 janvier 2017

Resident choreographer Yuri Possokhov’s Optimistic Tragedy is dedicated “to those who sacrificed their lives for future generations.”

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San Francisco

26 janv. 2017

SFB: Ratmansky / Possokhov / Forsythe

Par Terez Rose

San Francisco

San Francisco Ballet's Program 6: An homage to abstract ballet and the contemporary dancer’s talents

Par Jaime Robles, 05 avril 2016

A vast world of movement rose in celebration of the body’s athleticism and its subtle connection to emotions and personality.

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San Francisco

05 avril 2016

SFB Program 6

Par Jaime Robles

San Francisco

San Francisco Ballet's Program 2: Witty, Fun and Not So Witty or Fun

Par Jaime Robles, 27 janvier 2016

San Francisco Ballet opens Program 2 of the 2016 season with pieces by two cornerstone American choreographers, George Balanchine and Mark Morris, and a world première by British choreographer Liam Scarlett.

***11

Plus d'infos

***11

San Francisco

27 janv. 2016

Mixed works from SFB

Par Jaime Robles

San Francisco

Surreal whimsy: Magrittomania sets San Francisco Ballet’s season off to a promising start

Par Terez Rose, 24 janvier 2016

San Francisco Ballet's first program of 2016, featuring Forsythe's rarely performed Pas/Parts and the revival of 7 for Eight and Magrittomania, leads the way into an exciting season.

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San Francisco

24 janv. 2016

Surreal whimsy: Magrittomania at San Francisco Ballet

Par Terez Rose