San Francisco Ballet opens season with Wheeldon’s magical Cinderella

Par Terez Rose, 23 janvier 2020

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“you’d swear Cinderella was in a carriage flying through the air, her cape billowing behind her”

Critique faite à War Memorial Opera House, San Francisco, le 21 janvier 2020

Cinderella (Christopher Wheeldon)

San Francisco Ballet

Martin West, Direction

Julian Crouch, Décors, Costumes

San Francisco Ballet Orchestra

Natasha Katz, Costumes

Daniel Brodie, Vidéaste

Basil Twist, Décors

Joseph Walsh, Danse

Frances Chung, Danse

Esteban Hernandez, Danse

Sarah van Patten, Danse

Elizabeth Powell, Danse

Ellen Rose Hummel, Danse

Les « Racines » inégales du Ballet de l’Opéra de Paris à Bastille

Laurine Mortha, 6th October

Entre une pièce des années 1950 de Balanchine et les deux créations récentes des chorégraphes Mthuthuzeli November et Christopher Wheeldon, le programme mixte néo-classique produit un effet mitigé.

***11

Alvin Ailey American Dance Theater: Programme Y

Anne-Laure Faubert, 8th July

A l’occasion de la 13° édition des Etés de la Danse, l'Alvin Ailey American Dance Theater prend ses quartiers à la Seine Musicale.

Un hommage à Pierre Boulez hétéroclite

Laurine Mortha, 5th December

Avec une soirée mixte réunissant les chorégraphies de Christopher Wheeldon, Wayne McGregor et Pina Bausch, l’Opéra de Paris rend hommage au compositeur et chef d’orchestre contemporain Pierre Boulez.

****1

Atlanta Ballet shines in a mixed contemporary program

Rebecca Ehrhardt, 3rd April

Atlanta Ballet's Golden Hour program featured two world premieres and the Atlanta premiere of Christopher Wheeldon's Within the Golden Hour.

*****

NYCB: Ratmansky’s The Naked King is not satire, but good fun

Ivy Lin, 7th February

New York City Ballet presents a very entertaining quadruple bill which includes Alexei Ratmansky’s latest work, The Naked King, showing off the company’s comic talents.

****1

The Royal Ballet’s Like Water for Chocolate is sumptuous but complex

Amanda Jennings, 1st October

The Royal Ballet’s season opener, Christopher Wheeldon’s Like Water for Chocolate, is visually tremendous, very well danced but the many principal and soloist characters are difficult to keep up with.

****1

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Terez Rose

Terez Rose is a writer and former dancer whose work has appeared in numerous journals, anthologies and online publications. She is the author (as Terez Mertes Rose) of the Ballet Theatre Chronicles (Off Balance, Outside the Limelight, Ballet Orphans, Other Stages) and A Dancer’s Guide to Africa. Visit her at The Classical Girl where she blogs about classical music and the performing arts.

San Francisco Ballet opens repertory season with Wheeldon’s magical Cinderella