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Frankenstein at San Francisco Ballet: Is traditional ballet enough?

Par Jaime Robles, 19 février 2017
Chargement en cours, veuillez patienter...
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“The dancers infuse the movement with the totality of their formidable technical and dramatic skill”
Critique faite à War Memorial Opera House, San Francisco, le 17 février 2017
Programme
Frankenstein (Liam Scarlett)
Artistes
San Francisco Ballet
Joseph Walsh, Danse
Frances Chung, Danse
Vitor Luiz, Danse
Voir plus de critiques Danse
London City Ballet’s Momentum: a scintillating mix of old and new
Amanda Jennings, 13th September
Christopher Marney has once again brought together a group of outstanding dancers, superb coaches and brilliant choreography to produce an evening of thoroughly absorbing dance.
*****
Scarlett’s Frankenstein returns to the San Francisco Ballet stage
Terez Rose, 20th March
Seeing Frankenstein in its 2025 incarnation feels worthy and redemptive. It’s as vivid and cinematic as ballet gets.
****1
Drawing from tradition but not in thrall to it: London City Ballet
Carla Escoda, 17th September
While most in the audience at New York's Joyce Theater might not have known the original London City Ballet, their affection was palpable at the close of this program. 
****1
Swan Lake: double debuts at the Royal Ballet
Amanda Jennings, 11th May
Two very impressive debuts in the lead roles of Liam Scarlett's Swan Lake with The Royal Ballet, bodes well for the futures of Mariko Sasaki and Joseph Sissens.
****1
Queensland Ballet's Dream: pretty fairytale or dark drama?
Ruth Ridgway, 12th April
The music shimmers and the dancers shine in this twisted tale, a comic ballet but with dark undertones.
***11
The Royal Ballet's Swan Lake offers much to admire
Graham Watts, 6th March
Visually splendid, Liam Scarlett's Swan Lake showcases some wonderful dancing, but there is still room for improvement. 
****1
Plus de critiques...
Lire critiques de
Frances ChungFrankensteinJoseph WalshLiam ScarlettLowell LiebermannSan Francisco BalletVitor Luiz
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Jaime Robles
Jaime Robles
Jaime Robles has previously written in the San Francisco Bay Area, including for the San Francisco Classical Voice. Also a poet, she has written song lyrics and librettos for several one-act operas, including Inferno (music by Peter Josheff), staged in 2009 by San Francisco Cabaret Opera, and Vladimir in Butterfly Country (music by Anne Callaway), staged in 2012.