En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Royal Scottish National Orchestra

The composer conducts the Royal Scottish National Orchestra and Chorus with Roderick Williams and Rhian Lois in Edinburgh's Usher Hall.

Composed for Baroque and modern players with Gertrude Stein’s spoken text, Heiner Goebbels Songs of War I Have Seen in an intriguing performance conducted by Ellie Slorach. 

The RSNO, Sir Andrew Davis and the Edinburgh Festival Chorus perform Tippett's oratorio with an excellent line-up of soloists. 

A smorgasbord of delights from the RSNO that ranges from the absurdist nihilism of Ligeti to a unique Pictures at an Exhibition with artist James Mayhew. 

From performing Mahler in a pared-down chamber arrangement in an empty hall two years ago, the Royal Scottish National Orchestra returns to the “full fat” variety in a packed Usher Hall. 

Last minute step-in Noa Wildschut gives a thoughtful Mendelssohn Violin Concerto, before a thrilling Symphonie fantastique from the RSNO. 

Intensely dramatic Berlioz with mezzo Catriona Morison with the RSNO and Thomas Søndergård, framed by Bert Sørensen’s vivid Evening Land and a sparklingly fresh Sibelius 2.

Bruno Delepelaire is a thrilling soloist in Tchaikovsky's Rococo Variations, while The Firebird dazzles.

Memorable role debuts from Dorothea Röschmann, David Butt Philip and Catriona Morison make Ariadne auf Naxos with the RSNO and Lothar Koenigs a night to savour.

The RSNO welcomes the audience back in a light and joyful French programme conducted by Thomas Søndergård with its own oboist Adrian Wilson as soloist in L'Horloge de flore.

Thomas Søndergård steers the RSNO into the finale of their first digital season with Nicky Spence luminous in Britten’s Les Illuminations and the players joyous in Beethoven’s Fifth Symphony.

The Royal Scottish National Orchestra and its chief conductor Thomas Søndergård have little to say about Beethoven’s First Symphony, but in partnership with Midori much more about that composer’s Violin Concerto.

RSNO opens its digital season with Thomas Søndergård conducting Haydn’s The Bear and Beethoven’s Eroica. The extraordinary tale of Joseph Bologne links all as Maya Iwabuchi plays his Violin Concerto in A major.

Thomas Søndergård and the RSNO on top form in Strauss’ dramatic Also Sprach Zarathustra, and Mahler’s life affirming Das Lied von der Erde.

Nicola Benedetti and the RSNO in a dramatic performance of Sibelius, with popular Shostakovich and Mussorgsky, an impressive RSNO debut for conductor Christian Reif.

RSNO is reunited with Neeme Järvi, joined by Catriona Morison in a crowd-pleasing programme of Delibes, Bizet and Saint-Saëns.