En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Andreas Heise

Omer Meir Wellber’s Mozart-Ullmann mash-up sounds like a terrible idea, but absolutely hits the mark. 

This is no Liederabend with singers taking their turn to file up to the piano. It’s a fully staged drama in which baritone Vladislav Sulimsky’s character reflects on his past loves and losses.

Chrisoph Loy's new Oslo production of Eugene Onegin only somewhat succeeds in its desire to create a meditation on loneliness, but superb musical performances still make it an utterly compelling piece of music theatre.

Roman Novitzkys Impuls ist ein Geben und Nehmen, ein Meisterwerk von knapp dreißig Minuten.