En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Emanuele D'Aguanno

Three sopranos and three tenors express a catalogue of "affections" in musical numbers full of coloratura and virtuosic effects that are already 100% Mozart despite the young age of the composer.

Orchester, Chor und Solisten machen dieses vergessene Lustspiel wieder zu dem, was es war: einem Opernerfolg.

An emotionally intense Violetta from Mané Galoyan in Tom Cairns' darkly challenging La traviata launches Glyndebourne Tour's 50th season

Glyndebourne's season opener features an outstanding singing performance by baritone Igor Golovatenko, leading a strong vocal cast. However, staging and orchestral performance leave much to be desired.

Die Neuproduktion der Bayerischen Staatsoper ist stimmig, die musikalische Leistung erntet Begeisterungsstürme.

Tom Cairns’ Glyndebourne production features svelte costumes and sets, yet – unlike Verdi’s response to Marie Duplessis’ fate – Violetta’s tale left me entirely unmoved.

For its 40th anniversary, the Hong Kong Arts Festival chose Mozart’s Così fan tutte as its main opera offering. Whatever you may call it – opera buffa, comedy of manners, or “dramma giocoso” – Mozart’s lovely music makes Così fan tutte wonderful entertainment. That’s what the Bavarian State Opera delivered on Sunday afternoon to commemorate this important milestone of the Festival.