En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Jeremy Bines

Mis en scène par Kirsten Harms, Tannhäuser s'avère inégal. Se distinguent Ante Jerkunica (en Landgrave royal) et Camilla Nylund, formidable dans sa double interprétation de Venus/Elisabeth.

Echt brechtig: Zum Ereignis wird es für all jene, die das Erlebnis vor den Hörgenuss stellen.

Tobias Kratzer gives his third Strauss production in three seasons at Deutsche Oper Berlin another contemporary spin. 

Christof Loy and Carlo Rizzi score a great success in bringing Respighi’s rarely performed opera the Deutsche Oper Berlin. 

In seiner neuen Inszenierung schafft Sam Brown mit naturalistischem Bühnenbild einen librettotreuen Kostüm- und Kulissenschinken, der die Zeiten transzendiert. Dabei heraus sticht Doris Soffel mit extravaganter Bühnenpräsenz.

Deutsche Oper Berlin presents an uninspiring production by David Alden, with a solid cast led by Federica Lombardi. 

Was kommt nach der Freiheit? In seiner Fidelio-Neuinszenierung zeigt David Hermann eindrucksvoll, wie die Revolution ihre Kinder frisst.

Laurent Pelly's long-standing production of Offenbach's opéra-fantastique returns to the Deutsche Oper Berlin, under the baton of Emmanuel Villaume.

Kasper Holten's decade-old production begins to show its age, in a routine revival with undistinguished soloists.

If you have dismissed this opera as overstuffed kitsch in the past, you might want to take a look at this production. It could well change your mind.

Meyerbeer's tale of the Anabaptist rebellion in the 16th-century religious wars proves to be a powerful thriller, with Clémentine Margaine and Gregory Kunde leading a very strong singing cast.

Conductor Ivan Repušić leads a successful revival of Verdi’s playful masterpiece, with a solid cast.

Anna Netrebko triumphs at the Deutsche Oper in a concert performance of Cilea’s masterpiece, under the baton of Michelangelo Mazza.

Runnicles and his Deutsche Oper Berlin forces deliver where it counts in a rousing account of the 'Resurrection'.

Luke Styles' all-male Macbeth for Glyndebourne, with a libretto lifted straight from Shakespeare by Ted Huffman, explores the bloody tragedy afresh – with a defiantly cool ending.