En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Kimie Nakano

À l'exception de la direction intéressante d'Antonino Fogliani à la tête de l'Orchestre de la Suisse Romande, il n'y a pas grand-chose à saluer dans cette production clinquante, dénuée de la moindre cohérence artistique.

At Sadler's Wells, a memorable last hurrah for a mesmeric performer.

Drei Werke von Akram Khan, Johan Inger und Itzik Galili schaffen einen atemberaubenden Abend.

A series of ill-advised staging choices leads to a disappointingly drab performance of Monteverdi's Homeric epic.

A passionate revival of Longborough's 2015 production with outstanding performances from the principals.  

Akram Khan revives his first full evening work, Kaash (2002) at London’s Sadler’s Wells.  

Expressive dancers explore diversity within a conceived structure, though its fragmented tone challenges cohesion.   

Explosive and animated, Sylvie Guillem moves with an inimitable combination of energy, joie de vivre and delicacy throughout her final show, Life in Progress, at Beijing’s National Center for Performing Arts.