En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Kip Williams

A powerful work by brave innovators is a legacy for the departing Opera Australia Artistic Director. 

The problematic nature of Britten's Rape of Lucretia is well-known: Sydney Chamber Opera's production attempts to navigate it via gender inversion. 

Sydney Chamber Opera’s latest venture, a production of Sir Peter Maxwell Davies’ 1979 piece The Lighthouse, played to a packed Carriageworks theatre on Monday. In an era when the continued viability of classical music institutions is debated hotly, the fact that this new company can pull in the crowds for a challenging modernist work is cause for congratulation.