En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Leonard Elschenbroich

Elena Schwarz conducts the NSO in a rousing rendition of Dvořák's famous Seventh Symphony, while cellist Leonard Elschenbroich offers punchy Khachaturian.

Anja Bihlmaier presents the scintillating Suite by Galina Ustvolskaya, an unsettling Shostakovich 9, which finds comedy and tragedy side by side, and then Dvořák’s heart-warming Cello Concerto with Leonard Elschenbroich.

Affecting Britten, distinctive Elias and popular Elgar, with a curio of arranged Purcell thrown in, from Ryan Wigglesworth and the BBC National Orchestra of Wales.

Leonard Elschenbroich joined with the 12 ensemble for an evening dedicated to the Suite italienne, a stroll through time though with a focus on contemporary composers.

Edward Gardner opens the Bergen Philharmonic's UK tour in great style. 

Stutzmann displays her customary thoughtfulness and musicianship in Beethoven and Brahms, while violinist Zorman and cellist Elschenbroich deliver a remarkably satisfying Double Concerto. 

A strange combination of a Berlioz overture, a commemorative work and Mahler's Das Lied von der Erde with the Hallé, Sir Mark Elder, Alice Coote, Gregory Kunde and Leonard Elschenbroich.

A packed Royal Albert Hall cheered as rocker-come-classical composer Eric Whitacre took to the stage for this Sunday matinee.

In a well constructed programme of Sibelius, Maxwell Davies and Bridge, good energy and many moments of beautiful orchestral playing are marred by timing errors and dynamics.

Brahms and Bruckner: Two diametrically opposed pieces of large-scale music from 1887, hailing from two opposing ends of the Romantic spectrum, make up this Borusan Istanbul Philharmonic Orchestra programme. 

If every workplace could undergo a team-building exercise like Lutosławski’s Concerto for Orchestra, the world would be a happier place. The Royal Scottish National Orchestra’s performance under Yan Pascal Tortelier was unbelievably energetic.

Concert programmes at the Proms often lean toward music of significant scale and heft. The requirement to fill the huge Royal Albert Hall, as well as capturing listeners’ attentions across the airwaves and in many different countries, means that huge expeditions, such as this year’s Ring cycle, are a perfect fit for the festival. Prom 44 was massive too, in its own way.

The inaugural Bristol Proms are nearly over. Indeed, if you’re reading this any later than Saturday evening, they’ve been and gone. The festival, run by the Bristol Old Vic, has deliberately been unlike its London namesake.

The sun is out and the musical migration has begun. Many metropolis music venues decide practically to shut up shop for the summer, and the concert junkie needs to uproot and search out top classical music at one of the summer festivals that spring up seasonally.

Last night’s concert in the Usher Hall contained so many different strands, that it defies simple categorisation. One of a series of nine concerts in Scotland, its first objective was clearly to promote Miss Benedetti’s latest CD, The Silver Violin. This recording features tributes to many of the great composers who wrote film music for the silver screen, hence the title.

What better antidote to the hustle and bustle of Christmas shopping than a sackful of festive concertos? With Birmingham’s famous German market in full swing right outside the Town Hall, inside was also packed with concertgoers of all ages eager to hear celebrated violinist Nicola Benedetti.

One wonders what each of the composers might have thought about being programmed in the same concert. Brahms had some unpleasant things to say about Bruckner, famously that his symphonies were a swindle; and Bruckner remarked that Brahms is Brahms, but he, Bruckner, preferred his own stuff.