En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Máire Flavin

Combining operatic grandeur with intimate grief, Markson, soloists, the NSO and NSC deliver a masterful performance of Charles Villiers Stanford's Requiem. 

Chavaz's post-modern mythological approach to Rossini's neglected opera Guillaume Tell pays off with some glorious singing from the principals and the INO Chorus. 

Buxton International Festival presents Rossini's exhilarating La donna del lago with fine singing, but it is undermined by Jacopo Spirei's staging. 

Alcina also disappoints as a showcase for sustainable opera, despite that being Opera North’s pledge for this production. 

Opera North's revival of Mozart's The Marriage of Figaro directed by Jo Davies and conducted by Antony Hermus at Leeds Grand Theatre is still full of comic exuberance.

Rosetta Cucchi, who takes over as Artistic Director at Wexford Festival Opera next season, directs a Rossinian rarity and its newly commissioned "prequel". 

Opera North's triumphant UK première production of Silent Night by Kevin Puts is directed at Leeds Town Hall by Tim Albery and conducted by Nicholas Kok.

Giles Havergal directs and Martin André conducts an energetic production of Franz Léhar's The Merry Widow at the Grand Theatre, Leeds.

A wonderful ful-filled caper by the Irish National Opera of Mozart's The Marriage of Figaro with Erraught as Susanna and Miskelly as Cherubino really impressing. 

The biggest stigma associated with opera in Ireland is not that it is an elitist art form, but that it is not “Irish”, and that it doesn’t belong to Irish culture, more of a recent import, like pasta, or avocado.

Two contraltos in one room is a high concentration of contraltos; except that one of them appeared in the role of conductor.

Roddy Doyle's new translation is ingenious more often than incongruous; John Molloy's Leporello steals the show in the Opera Theatre's Don Giovanni.

The NSO delivers an emotionally charged Mahler 2 while ConTempo Quartet satisfy with a dynamic rendition of Zemlinsky's Quartet no.3

Lothar Koenigs conducts a stylish, colourful Magic Flute inspired by Magritte. 

Scottish Opera's La Cenerentola is colourful, fun-filled and packed with tunes. Russian mezzo Victoria Yarovaya shines in the title role.

Big opera productions capture the limelight, but there is no denying the impact of Scottish Opera arriving in tiny communities with this entertaining show of staged operatic excerpts.

Scottish Opera and Northern Ireland Opera's new version of Offenbach's Orpheus in the Underworld has been touring Scotalnd and Northern Ireland: it's now arrived in London for a short run at the Young Vic in London, in its 150-seater Maria hall alongside the main theatre.