Tim Albery's new Alcina for Opera North lacks magic in Leeds

Par Mark Valencia, 07 février 2022

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“Tim Albery’s new production for Opera North is so flat it feels interminable”

Critique faite à Leeds Grand Theatre, Leeds, le 5 février 2022

Haendel, Alcina

Opera North

Laurence Cummings, Direction

Tim Albery, Mise en scène

Hannah Clark, Décors, Costumes

Thomas C Hase, Lumières

Orchestra of Opera North

Ian Galloway, Vidéaste

Máire Flavin, Alcina

Patrick Terry, Ruggiero

Mari Askvik, Bradamante

Fflur Wyn, Morgana

Nick Pritchard, Oronte

Claire Pascoe, Melisso

John Findon triumphs in the return of Opera North’s Peter Grimes

Richard Wilcocks, 13th February

Benjamin Britten’s dark masterpiece Peter Grimes returns triumphantly to Opera North, conducted by Gary Walker and revived by Karolina Sofulak and Tim Claydon.

*****

Opera North’s Susanna: how a woman stood up to her abusers

Richard Wilcocks, 4th October

Handel's oratorio is staged by Olivia Fuchs and conducted by Johanna Soller in Opera North's latest successful collaboration with Phoenix Dance Theatre.

****1

To be or not to be: Hamlet returns to the Buxton Festival

Mark Pullinger, 16th July

After 45 years, Ambroise Thomas' Hamlet returns to Buxton in a gripping, psychological staging by Jack Furness.

****1

Opera North’s “fleeing” Dutchman links to plight of asylum seekers

Richard Wilcocks, 1st February

Opera North’s The Flying Dutchman, directed by Annabel Arden, conjures up frightening storms and links the production to the plight of asylum seekers.

****1

Opera North’s gleeful Magic Flute revived

Richard Wilcocks, 27th September

Conducted by Christoph Konz and directed by James Brining, Opera North’s revival of The Magic Flute remains an inventive reinterpretation of Mozart’s classic opera.

****1

Richard Wilcocks, 15th February

Opera North's revives its Cavalleria rusticana production by Karolina Sofulak, pairing it this time with Rachmaninov's early opera Aleko.

****1

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Mark Valencia

Mark has worked in arts journalism for four decades, both as a writer and as a French-English translator. Nowadays he focuses his energies on reviewing opera and music. Mark also writes for Opera magazine and for Musical America as a correspondent for Europe and the UK.