En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Natalie Clein

L'Insula Orchestra était à la Seine Musicale en compagnie d'Alexandra Conunova, de Natalie Clein et de David Kadouch pour le Triple Concerto de Beethoven, puis la Symphonie n°3 de Louise Farrenc, avec Laurence Equilbey à la direction.

A fantastic all-Tchaikovsky concert in which cellist Natalie Clein gave a magnificent rendition of the Rococo Variations.

With a smaller programme and a humbler premise, the stars of the show – those young, immensely talented performers – could have shone even brighter

There's a strong chance that the majority of the audience had never seen Louise Farrenc's Third Symphony before; conductor Laurence Equilbey made a strong case for repeat performances.

An impressive performance from cellist Natalie Clein in Dvořák’s Cello Concerto did much to alleviate the woes of the real world.

The St Petersburg SO and Alexander Dmitriev give a thoughtful and accomplished programme in Manchester's Bridgewater Hall

There was an inundation of the sound of John Tavener's Flood of Beauty at the Barbican on Sunday, with the Britten Sinfonia conducted by Martyn Brabbins.

Though impressively performed by the Moscow players, conductor Yuri Simonov's interpretative choices did not always convince in Tchaikovsky's Fourth Symphony.

The Brahms cello sonatas in E minor and F major are two pillars of the cello repertoire and represent, rightly so, the first career peak for performers. Together they cover the full range of emotion, from dark, brooding introspection to the playful nature of the middle movements.

Themes of spirituality and religion pervaded the fourth and final chamber music prom of this BBC Proms season.

A show of “all our favourite people”. Violinist Matthew Trusler's description of the charity concert organised by himself and his wife Maya Koch refers to his and Koch’s favourite people; however he could very well have meant his audience’s or even the concert-going public.

The cellist Natalie Clein was at the centre of this concert of Schumann’s chamber music, given as a part of the Schumann bicentenary celebrations at Kings Place. The programme explored works from different periods of Schumann’s creative life: two works for cello and piano from 1849, the turbulent Piano Trio No. 3 in G minor from 1851, and the joyous Piano Quartet in E flat major from 1842.