En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Quirijn de Lang

Tim Albery's Opera North production is successfully revived, with a new cast.

Directed by Matthew Eberhardt and conducted by Matthew Kofi Waldren, this semi-staging of Bizet's opera is well worth experiencing, despite its weak plot. 

Ola Mafaalani's staging is a feast for the eyes with creative and edgy lighting, a clever and expressive use of colour and a stunning visual display, but not everything comes off successfully. 

As the UK continues to emerge from lockdown, Leeds Playhouse and Opera North stage Sondheim. 

Opera North's revival of Mozart's The Marriage of Figaro directed by Jo Davies and conducted by Antony Hermus at Leeds Grand Theatre is still full of comic exuberance.

Opera North brings Kurt Weill's “Broadway opera” Street Scene to the Leeds Grand Theatre in a thrilling production directed by Matthew Eberhardt and conducted by James Holmes.

Opera North's triumphant UK première production of Silent Night by Kevin Puts is directed at Leeds Town Hall by Tim Albery and conducted by Nicholas Kok.

Giles Havergal directs and Martin André conducts an energetic production of Franz Léhar's The Merry Widow at the Grand Theatre, Leeds.

Cole Porter's exuberant wordsmithery and his smash-and-grab appropriation of a dozen musical styles can hardly fail to entertain; Opera North give us four top class leads.

Garsington's latest Rossini buffa is on the nail orchestrally, mixed vocally and one of the best pieces of acting and stage movement you'll see in opera.

La Cenerentola is the final component of Opera North's fairytale season, with every voice and every character getting a chance to revel in Rossini's intricate ornamentation.

Welsh National Opera's co-production of Kiss me, Kate is another good argument for opera companies to stage Broadway musicals.

The away leg of Rossini's “Italian girl - Turkish guy” fixture makes for a thoroughly enjoyable evening at Garsington, without ever quite bursting into flame.

The London Mozart Players and a talented company of singers presented a special chance to hear a rare, unfinished Mozart opera in an even rarer guise. 

Opera North's Kiss Me Kate directed by Jo Davies at Leeds Grand Theatre is sheer joy.

 Despite a stellar Mimì, a disappointing La bohème at Grange Park Opera.

Tragedy giving way to comedy – a recipe which still works, as demonstrated in Opera North's fine double bill of Gianni Schicchi and La vida breve.

A gleeful production of The Marriage of Figaro from Opera North, which makes it hard to imagine any dark side at all to the comedy. 

Vert-Vert, undoubtedly the only opera named after a dead parrot, is a very, very silly opera – more a series of comic sketches than an integrated work. But in Garsington's production, everything delights.

Dale Duesing triumphs with a staged version of J.S. Bach's St John Passion performed by the Nationale Reisopera.

The impressively well-drilled children’s chorus dominates this glittering production of A Midsummer Night’s Dream, the second component of Opera North’s Festival of Britten. 20 young performers in white, black wings on their fairy shoulders, wind solemnly in and out of the action, assemble in rows, perform versions of callisthenics exercises, and sing beautifully.

The Netherlands Opera’s revival production of Prokofiev’s L’amour des trois oranges is sweet, juicy, and just a bit bitter in the right moments.This production presents Prokofiev’s piece in the original French with Dutch and English supertitles. At its first performance in Chicago in 1921, Prokofiev’s opera was presented in French rather than Russian. French is a sensible choice for this region.