Colorful and juicy: Prokofiev's L'amour des trois oranges with The Netherlands Opera

Par Joanna Marsden, 06 mars 2013

Chargement en cours, veuillez patienter...

Voir le listing complet

Critique faite à Dutch National Opera and Ballet, Amsterdam, le 1 mars 2013

Prokofiev, L'Amour des trois oranges

Dutch National Opera

Tomáš Netopil, Direction

Residentie Orkest The Hague

Chœur du Dutch National Opera

Laurent Pelly, Mise en scène

Christian Tréguier, King of Clubs

Martial Defontaine, Prince

Letitia Singleton, Princesse Clarissa

Nahuel Di Pierro, Leandro

Sergei Khomov, Truffaldino

Quirijn de Lang, Pantalone

Kurt Gysen, The Magician Celio

Anna Shafajinskaia, Fata Morgana

Florieke Beelen, Princess Linetta

Julia Westendorp, Princess Nicoletta

Elizabeth Cragg, Ninetta

Weinberg’s The Passenger at Dutch National Opera

Clare Varney, 17th April

Tobias Kratzer's 2024 Munich production makes its way to Amsterdam, proving that Weinberg's opera has the power to transfix.

****1

Dutch National Ballet's reimagined La Bayadère triumphs

Mark Vicente, 26th March

Dutch National Ballet's new production of La Bayadère does away with the ballet’s problematic gestures and movements, allowing the choreography to truly shine.

****1

Michel van der Aa’s Theory of Flames: defining opera for a modern age

Clare Varney, 6th March

British singers Mary Bevan and Roderick Williams lead the cast in Dutch National Opera’s latest ground-breaking opera, merging live music with pre-recorded film and electronics.

****1

Dutch National Ballet brings much needed heat to this winter season

Mark Vicente, 10th February

The Dutch National Ballet helped shake off those winter blues with a mixed programme that highlighted ballet’s love affair with Latin rhythms and movement.

****1

Malin Byström brilliert bei Isolde-Debüt in Amsterdam

Phillip Richter, 8th February

Die schwedische Sopranistin gibt ihr spannungsumwobenes Debüt als Isolde in Pierre Audis zeitloser Inszenierung.

*****

Semele at Dutch National Opera: myth, desire and fantasy

Mengguang Huang, 23rd January

Guth’s Semele turns myth into a contemporary domestic drama, where desire becomes obsession and illusion consumes reality. Handel’s music remains the true engine, driven by a thrilling, physically intense ensemble.

****1

Plus de critiques...

Joanna Marsden