En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Tanja Tetzlaff

Initié par Lars Vogt avant son décès, le Festival Brahms de l'Orchestre de chambre de Paris bénéficie de l'investissement et du jeu exemplaires des Tetzlaff aux côtés des musiciens de la formation.

L’Orchestre Philharmonique de Radio France propose un cycle Beethoven/Berg dirigé par Daniel Harding, entouré de quatre solistes de renom. La soirée du 9 janvier réunissait trois œuvres très belles mais difficiles : une performance honorable sans être exceptionnelle.

Im Zuge des Berliner Pilotprojekts öffnete das Konzerthaus seinen Kammermusiksaal für Mozart und Brahms.

Mozartian lightness and wit, dark beauty from Berg and melodious angst from Schubert: the Tetzlaff show us three very different sides of the Viennese string quartet

Paarvo Järvi and the NHK Symphony give a riveting account of Schumann and Schubert.

The ever consummate conductor delivers a trio of stylistically contrasting works by Haydn, Beethoven and Nielsen with a single trait in common: obdurate perfectionism.

Passion and intensity in a recital of Brahms' chamber music in Lucerne.

The second concert of the Philharmonia’s Brahms cycle saw Brahms’ orchestra at its richest and most full-blooded. Alongside the burnished, glowing colours of the Haydn Variations were placed the autumnal glow of the Third Symphony and the Concerto for Violin and Cello, Brahms’ final orchestral work, with sibling soloists Christian and Tanja Tetzlaff.

30 August to 14 September 2013 marked the second year of the mozart@augsburg festival, held both in and around the city.

It’s easiest to describe Christian Tetzlaff’s approach to playing the violin by what he isn’t trying to do. He is not trying to play as beautifully as possible, in the conventional sense. He is not trying to sound like a nightingale, soaring long, honeyed lines above an accompaniment.