En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Teddy Tahu Rhodes

Jonathan Dove’s opera Flight earns its title as the most popular modern opera with this excellent ensemble performance in Adelaide, its Australian premiere. 

A single performance of Rossini's Cinderella story in Launceston, Tasmania was an unmitigated delight, with a sparkling cast of international performers.

Neil Armfield's enchanting production of Britten's A Midsummer Night's Dream finally comes to Australia as the centrepiece of the 2021 Adelaide Festival, making a virtue of necessity with its astute casting of Australian talent.

The revival of David McVicar's production of Gounod's Faust provides spectacle and entertainment in spades, with strong performances from Ivan Magrì (Faust) and Teddy Tahu Rhodes (Méphistophélès).

Rossini's opera is all about art and art lovers in this production by Damiano Michieletto.

Davide Livermore's new production of Donizetti's Anna Bolena offers moderate pleasures, with solid performances by Ermonela Jaho in the title role, and Carmen Topciu as Jane Seymour.

Bruno Ravella’s revival of David McVicar’s production of Faust, doing the rounds of Australia’s major opera companies, is currently inspiring Adelaidians with masterful performances by State Opera of South Australia.

David McVicar's production of Faust enjoys one of the strongest overall performances of Opera Australia in recent times.

David McVicar's Don Giovanni for Opera Australia takes its cue from the brutally grim opening of the opera, yet remains true to Mozart’s own description of a “jocular” work (dramma giocoso). 

Read our review of John Doyle's production of Britten's Peter Grimes in its 2008 broadcast from the Met Opera in New York.

I hear that both you and your friend are getting married to wealthy and pretty ladies from Washington DC?My heartiest congratulations, gentlemen! As my early wedding gift, allow me to offer you some marriage wisdom: when your beloved betray you, remember to forgive them and keep living happily ever after.Don’t believe in betrayal? Well, then, allow me to prove my point.

Read our review of Richard Eyre's production of Carmen by Bizet in its 2010 broadcast from the Met Opera in New York.