McVicar's Faust: the spiritual and the hedonistic

Par Zoltán Szabó, 18 février 2015

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Critique faite à Sydney Opera House: Joan Sutherland Theatre, Sydney, le 17 février 2015

Gounod, Faust

Opera Australia

Guillaume Tourniaire, Direction

Sir David McVicar, Mise en scène

Charles Edwards, Décors

Brigitte Reiffenstuel, Costumes

Michael Fabiano, Faust

Nicole Car, Marguerite

Teddy Tahu Rhodes, Méphistophélès

Dominica Matthews, Marthe

Anna Dowsley, Siebel

Giorgio Caoduro, Valentin

Richard Anderson, Wagner

Bruno Ravella, Revival Director

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Eugene Onegin returns to the Sydney Opera house in Kasper Holten’s slightly awkward production but the singing and orchestral playing are exemplary.

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Elijah Moshinsky’s 33-year-old production of Hansel and Gretel hasn’t aged well.

***11

A psychological Turandot in Ann Yee's Opera Australia staging

Sandra Bowdler, 15th January

Opera Australia's new Turandot succeeds with musical, dramatic and visual values with a mix of local and imported talent.

****1

Siobhan Stagg leads a strong Marriage of Figaro revival in Sydney

Sandra Bowdler, 31st July

Siobhan Stagg is an outstanding Susanna in a strongly cast and well produced Marriage of Figaro at the Sydney Opera House

****1

Watery magic as Nicole Car makes a triumphant return to Sydney

Jeremy Eccles, 19th July

Nicole Car makes her role debut as Dvořák's Rusalka in a production by Sarah Giles that proves a winner.

****1

Danielle de Niese makes Carmen debut in a colourful new Sydney staging

Sandra Bowdler, 10th July

Danielle de Niese's assumes the title role at the Sydney Opera House, leading an impressive cast with an interesting approach to characterisation with a somewhat over the top blingy setting.

****1

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Zoltán Szabó

Zoltán Szabó is a cellist and musicologist. Having migrated from his native Hungary to Australia in 1985, he worked with the Australian Chamber Orchestra in Sydney until 1991, when he became Principal Cello with Opera Australia. In 2017, he was awarded with a Doctor of Philosophy degree (PhD). Currently, he is teaching music history and musicology at the Sydney Conservatorium of Music.

The spiritual and the hedonistic: McVicar's take on Faust triumphs in Sydney