En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Trio pour piano, violon et violoncelle no. 1 en ré mineur, Op.49

Martha Argerich joue avec des partenaires de longue date et de jeunes artistes qu’elle prend sous son aile, nous confirmant qu’elle est l’une des plus fabuleuses chambristes qui soit.

Un véritable écho a résonné à la Salle Gaveau, en compagnie de Shlomo Mintz, Itamar Golan et Sonia Wieder-Atherton.

Martha Argerich and Mischa Maisky's duo recital at Wigmore Hall turns into a trio... and offers the London audience a rare opportunity to hear the Argentinian pianist play solo.

Three become one as Nikolaj Szeps-Znaider, Gautier Capuçon and Rudolf Buchbinder bring Schubert to London. 

Gustavo Gimeno kicks off the TSO’s new season with new perspectives on the familiar and not-so-familiar

Martha Argerich is one of the musical miracles of our times. Like exquisite wine, she seems to gain depth and new qualities with maturity.

Alquimia, equilibrio y complicidad fueron las claves del éxito de Joshua Bell, Alessio Bax y Steven Isserlis en su concierto en el Auditorio Nacional a cargo de Ibermúsica.

Festivals and academies breed familiarity and mutual compassion between audiences and returning artists. Yet the warmly informal feel of this concert owed mostly to the close relationships between the musicians themselves.

The Seattle Chamber Music Society presented an ambitious program with a distinguished ensemble of performers.

Daniel Barenboim's absence may have confounded the all-Debussy programme but it left the Aix audience with a beautifully balanced recital.

Three musicians at the top of their game – Martha Argerich, Janine Jansen and Misha Maisky – collaborated in a celebration of the joy of music-making that teased, astonished and ultimately stirred the emotions.

Martha Argerich, Janine Jansen und Mischa Maisky wussten mit einem feurigen Konzert zu begeistern.

Regarded by fellow musicians as one of the most promising young ensemble, the Delta Piano Trio have made a name for themselves with their raw, uncompromising musicianship, their energy and a willingness to invest oneself beyond comfort.

Affable host Richard Gere united a starry musical cast to celebrate Carnegie Hall’s 125th Anniversary Gala.

Kathryn Selby, Andrew Haveron, and Timo-Veikko Valve enchanted with a largely Czech programme of chamber music. 

Not painting by the numbers: with a trio, a pair of quartets, and an octet, the Seattle Chamber Music Society offers more than the sum of its parts.

At one point in Proust’s In Search of Lost Time, the narrator is listening to a sonata for piano and violin by the fictional Vinteuil, when “at a certain moment, without being able to distinguish any clear outline, or to give a name to what was pleasing him, suddenly enraptured, he tried to grasp the phrase or harmony – he did not know which – that had just been played and that had opened and expa

The noted Beethoven pianist Artur Schnabel was famously interested only in music that he felt was “better than it can be performed”. This idea of works which transcend any individual performance seems particularly true when it comes to Beethoven’s late string quartets, enigmatic masterpieces which continue to pose challenges to interpreters nearly two centuries after they were written.

Three of the composers on the program of this 115th season of the Women’s Musical Club of Toronto are linked in a significant pattern of numbers. Felix Mendelssohn was born in 1809, the year Joseph Haydn died. Paul Schoenfield was born in 1947, one hundred years after Mendelssohn died. Haydn’s Piano Trio no.

These Conway Hall Sunday Evening Concerts are always good value, but this one was especially generous: there was a ‘pre-concert recital’, 40 mins before the concert proper. As we were taking our seats, pianist Hiro (Hiroaki) Takenouchi was still driving frantically to the venue, having been severely held up in traffic.