En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Danses populaires roumaines, Sz. 68

Trois jours de festivités musicales autour de Budapest ont révélé, pour sa première venue à la Philharmonie de Paris, le jeune chef Gábor Káli, dans un programme entièrement bartókien. À l'honneur ce dimanche : Le Château de Barbe-Bleue.

Aspiring young conductors literally have to face the music in a second half showcasing their skills, while their teachers kick off proceedings with chamber music presentations of Estonian composers. 

Rustling trees, wandering cats and a laconic golden retriever grace the Tekfen Philharmonic Orchestra's festival opening concert.

After its Covid-19 “Quarantine soirées”, the Budapest Festival Orchestra celebrates the end of lockdown by taking on a two-concert international tour!

The idea of reframing a warhorse of the classical repertory isn't a bad one. Theatre and opera goers have their modern-dress versions of Shakespeare and Mozart. Why not try it with Vivaldi?

In a program devoted to Béla Bartók, the visitors from Hungary conveyed both a distinct uniqueness of their heritage as well as a possibility of music as a tool for communication and understanding.

Das Budapest Festival Orchestra bringt mit einem Bartók-Programm ungarische Klangfarben in die Elbphilharmonie.

It is a testament to Ma’s power as a musical force that, despite the typhoon-related weather raging outside, the auditorium was packed to capacity. 

On a day when Christians around the world reflect on suffering, torment and lost hope, but with the distant promise of light soon to return, the strings of Northern Sinfonia offered a programme that could serve as a secular, humanist alternative to Good Friday; music written in dark times and troubled places of 20th-century Europe, music that is at times brooding and disturbed, sadly nostalgic but

James MacMillan’s Violin Concerto was first performed in 2010, but this afternoon, at the Dutch premiere, was the first time he conducted it. It’s quite an extraordinary piece, so full of ideas that you might wonder if he couldn’t have written two concertos instead of just the one. But when it comes to MacMillan, this potential overload of ideas actually works really well.