Rechercher des critiques de musique classique, opéra et ballet | La fanciulla del West

Una ópera escrita rodeado de “tristeza y la mayor infelicidad”, como el propio autor refirió, es difícil que obtenga el prolongado rédito que su factor espera.

Andreas Dresen und James Gaffigan gelingt eine durchweg stimmige Neuinszenierung von Puccinis Oper  an der Bayerischen Staatsoper.

The audience for The Met's first performance of La fanciulla del West this season arrived loaded for bear. Not only were they disappointed that Jonas Kaufmann was not singing (he's slated for shows starting 17th October), but their disappointment was heightened by the fact that tenor Yusif Eyvazov was singing.

A movie-like staging for Puccini's most original opera at the Teatro San Carlo.

Whenever a relative opera novice or occasional toe-dipper tells me how he or she cried at the end of La bohème, I want to send them to La fanciulla del West. Of course I choke up at the end of Bohème – who doesn't? – but for a good bawling session, the fabulously maudlin finale of Fanciulla is the place to be. The plot doesn't bode well.

Richard Jones's production of Puccini’s Western opera La fanciulla del West is well sung, but fails to tap in to the Wild West atmosphere of the surroundings.

Using Stephen Medcalf’s 2008 staging, this opening night of love and loneliness was a feast for the eyes, a musical triumph and a dramatic tour-de-force that tugged at the heart strings.

La Scala might not have had all the right cards in its garter Tuesday night to prevent ending up holding aces and spaces, but it’s hard to play without a full deck in the first place.

Puccini's La fanciulla del West gets a modern update at the Deutsche Oper Berlin.

Keri-Lynn Wilson produces an outstanding UK conducting debut in Richard Jones' faithful production of Puccini's Girl of the Golden West for ENO.

Stephen Barlow’s staging of Puccini's Western is easy on the eye, if short on verismo. Susannah Glanville impresses as the barkeeper with a heart of gold.

Opera North's La Fanciulla del West, directed by Aletta Collins, contains a bold performance from Alwyn Mellor as Minnie, and a powerful Ramerrez in Rafael Rojas.

Puccini’s La fanciulla del West, in its new production by Marco Arturo Marelli, features excellent singing from top to bottom, tight orchestral playing, beautiful lighting, and a decisive lack of cowboys, saloons and other “Wild West” clichés. Set in a modern-day mining village in the middle of somewhere vast and gorgeous, the production focuses on the social interplay and struggles of the miners.

“There was love all around / But I never heard it singing / No, I never heard it at all / Till there was you!” I vividly recall when I first heard Shirley Jones sing these touching, heartfelt lines on the beloved motion picture version of Meredith Wilson’s “The Music Man”, when both the devious Professor Harold Hill and the stingy spinster Marion Paroo discover the true meaning of love.